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https://www.amazon.com/Legitimizing-Artist-Manifesto-Modernism-1885-1915/dp/1442657731
The crucial question for artists, confronted by the conservative values of the dominant bourgeoisie and the economic logic of triumphant capitalism, was how to justify their work in terms that did not reduce art to a mere commodity. In this work Luca Somigli discusses several European artistic movements – decadentism, Italian futurism, vorticism, and imagism – and argues for the centrality of the works of …Cited by: 7
https://www.amazon.com/Legitimizing-Artist-Manifesto-Modernism-1885-1915-ebook/dp/B00T9ZGXPI
The crucial question for artists, confronted by the conservative values of the dominant bourgeoisie and the economic logic of triumphant capitalism, was how to justify their work in terms that did not reduce art to a mere commodity. In this work Luca Somigli discusses several European artistic movements – decadentism, Italian futurism, vorticism, and imagism – and argues for the centrality of the works of …5/5(1)
https://books.google.com/books/about/Legitimizing_the_Artist.html?id=NQnGUy57jSsC
Jan 01, 2003 · Legitimizing the Artist: Manifesto Writing and European Modernism, 1885-1915 Toronto Italian studies: Author: Luca Somigli: Publisher: University of Toronto Press, 2003: ISBN: 0802037615,...
https://utorontopress.com/us/legitimizing-the-artist-4
The crucial question for artists, confronted by the conservative values of the dominant bourgeoisie and the economic logic of triumphant capitalism, was how to justify their work in terms that did not reduce art to a mere commodity. In this work Luca Somigli discusses several European artistic movements – decadentism, Italian futurism, vorticism, and imagism – and argues for the centrality of the works of …
https://www.bookdepository.com/Legitimizing-Artist-Luca-Somigli/9781442657731
Jan 01, 1900 · The crucial question for artists, confronted by the conservative values of the dominant bourgeoisie and the economic logic of triumphant capitalism, was how to justify their work in terms that did not reduce art to a mere commodity. In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of …4.5/5(2)
https://www.jstor.org/stable/10.3138/j.ctt130jvhd
Legitimizing the Artist Book Description: In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siécle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project.
http://www.petercarravetta.com/wp-content/uploads/2013/10/Review-on-Manifestoes-and-Modernism.pdf
Luca Somigli. Legitimizing The Artist. Manifesto Writing and Eu ro p e a n Modernism 1885-1915.Toronto: University of Toronto Press, 2003. Pp. viii, 296. ISBN 0-8020-3761-5 $55, ?35. This is a well-researched and thought-out intervention on the ever complex issue of what is or was Modernism, the identity and role of the artist during that extend-
https://b-ok.cc/book/2882788/b74f21
Luca Somigli In the late nineteenth and early twentieth centuries, the production of literary and cultural manifestoes enjoyed a veritable boom and accompanied the rise of many avant-garde movements. Legitimizing the Artist considers this phenomenon as a response to a more general crisis of legitimation that artists had been struggling with for decades.
https://www.worldcat.org/title/legitimizing-the-artist-manifesto-writing-and-european-modernism-1885-1915/oclc/904376053
Legitimizing the artist : manifesto writing and European modernism, 1885-1915. [Luca Somigli] -- In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the ...
https://www.amazon.co.uk/Legitimizing-Artist-Manifesto-Modernism-1885-1915/dp/0802037615
Dec 27, 2003 · The crucial question for artists, confronted by the conservative values of the dominant bourgeoisie and the economic logic of triumphant capitalism, was how to justify their work in terms that did not reduce art to a mere commodity. In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of …Author: Luca Somigli
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