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https://www.alexandergray.com/artists/luis-camnitzer
Luis Camnitzer (b.1937) is a German-born Uruguayan artist and writer who moved to New York in 1964. He was at the vanguard of 1960s Conceptualism, working primarily in printmaking, sculpture, and installations. Camnitzer’s artwork explores subjects such as repression under systems of power, pedagogical norms, and the deconstruction of familiar frameworks.
https://www.alexandergray.com/exhibitions/luis-camnitzer4
Alexander Gray Associates presented an exhibition of artwork by Luis Camnitzer, featuring works in a variety of media dating from 1968 to the present. An accompanying catalogue was published in both English and Spanish, featuring the artist’s essay The Mediocrity of Beauty (2010).
https://www.unitedstatesartists.org/fellow/luis-camnitzer/
Conceptual artist Luis Camnitzer was raised in Uruguay and has lived in New York since 1964. Camnitzer works primarily in printmaking, sculpture, and installation, producing bitingly humorous works with a focus on language and socio-political concerns as in Memorial (2009), in which he inserted the names of the “disappeared” in Uruguay during the dictatorship into the telephone book.
https://www.the-artists.org/Luis-Camnitzer/
Luis Camnitzer was born in Germany in 1937, grew up in Montevideo, and has lived and worked in New York since 1964. He has made his mark internationally not only as an artist but as a critic, educator and art theorist as well.
https://www.studiointernational.com/index.php/luis-camnitzer
by CAROLINE MENEZES Luis Camnitzer is a 73-year-old man “who still wants to change the world”. 1 As an artist he was one of the pioneers of Conceptual Art along with North American artists such as Joseph Kosuth and Mel Bochner.
http://www.lehman.edu/vpadvance/artgallery/gallery/luis_camnitzer/ramirez_essay.htm
The art of Uruguayan artist Luis Camnitzer is a concrete example of the way in which this tension can provide the basis for a coherent and successful body of work that addresses the First/Third World problematic while providing an alternative to the question of a viable political art within the parameters of the present system.
https://brooklynrail.org/2020/02/artseen/Luis-Camnitzer-Towards-an-Aesthetic-of-Imbalance
January 9 – February 15, 2020. New York. Over a decade ago, I interviewed Luis Camnitzer and his ex-wife, the Argentinian artist Liliana Porter, about their early years in New York in the 1960s running the New York Graphic Workshop. At one point, Liliana Porter referred to …
https://www.tate.org.uk/art/artworks/camnitzer-leftovers-t11883
Camnitzer has argued that the year 1970 represented a political turning point for his generation of artists, as it marked the beginning of the end for many revolutionary movements in Latin America. The artist has claimed, ‘Until 1970 we were using art as a political instrument.
https://hyperallergic.com/470480/luis-camnitzerhospice-of-failed-utopias-museo-reina-sofia/
Nov 12, 2018 · MADRID — At the Museo Reina Sofía, the artist Luis Camnitzer has piled up a grid of 80 blocks, approximately 12 by 12 inches each, and wrapped them in brown gauze…
https://wtango.me/luis-camnitzer-77/
Oct 13, 2019 · Art as a Communal Act Hideyuki Katsumata: The portrait of the artist is reduced to the simplest elements that constitute cmnitzer practice of art. Luis Camnitzer – 33 Artworks, Bio & Shows on Artsy. Hospice of Failed Utopias. The cubes are displayed in a group in no particular order. Only 7 left in stock more on the way.
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