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How Duchamp’s Urinal Changed Art Forever - Artsy

    https://www.artsy.net/article/artsy-editorial-duchamps-urinal-changed-art-forever
    May 09, 2017 · Duchamp, wanting to submit an artwork to the “unjuried” Society of Independent Artists’ salon in New York—which claimed that they would accept any work of art, so long as the artist paid the application fee—presented an upside-down urinal signed and dated with the appellation “R. Mutt, 1917,” and titled Fountain.

Society of Independent Artists - Oxford Reference

    https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100515700
    Feb 26, 2021 · The first show, in April 1917, featured about 2,500 works by about 1,200 artists and was probably the largest art exhibition held in the USA up to that time. However, it is remembered mainly because of a work that was not shown, for Marcel Duchamp (one of the Society's officials) resigned after his ready-made in the form of a urinal was rejected.

Marcel Duchamp, Fountain, 1917/1964 · SFMOMA

    https://www.sfmoma.org/artwork/98.291/
    After moving from Paris to New York in 1915, Marcel Duchamp became a founding member of the American Society of Independent Artists, a group dedicated to advancing the ideas of new art. For its first exhibition, in April 1917, Duchamp submitted, under a fictitious name, a urinal he had purchased in the showroom of J. L. Mott Iron Works.

Marcel Duchamp Artworks & Famous Art TheArtStory

    https://www.theartstory.org/artist/duchamp-marcel/artworks/
    The most notorious of the readymades, Fountain was submitted to the 1917 Society of Independent Artists under the pseudonym R. Mutt. The initial R stood for Richard, French slang for "moneybags" whereas Mutt referred to JL Mott Ironworks, the New York …

Marcel Duchamp Biography & Artwork Britannica

    https://www.britannica.com/biography/Marcel-Duchamp
    Marcel Duchamp, in full Henri-Robert-Marcel Duchamp, (born July 28, 1887, Blainville, France—died October 2, 1968, Neuilly), French artist who broke down the boundaries between works of art and everyday objects. After the sensation caused by Nude Descending a Staircase, No. 2 (1912), he painted few other pictures.

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