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Marcus Gheeraerts II: Elizabethan Artist – Exhibition at ...

    https://www.tate.org.uk/whats-on/tate-britain/exhibition/marcus-gheeraerts-ii-elizabethan-artist
    A small in-focus exhibition on the sixteenth-century artist Marcus Gheeraerts II opened at Tate Britain on 2 December 2002 and marked the 400th anniversary of the death, in March 1603, of his most celebrated sitter, Queen Elizabeth I. The portrait of Captain Thomas Lee 1594, also known as 'the man with bare legs', is one of the best loved early pictures in the Tate Collection.

Amazon.com: Marcus Gheeraerts II: Elizabethan Artist (In ...

    https://www.amazon.com/Marcus-Gheeraerts-II-Elizabethan-Publishing/dp/1854374435
    Jun 01, 2003 · Marcus Gheeraerts II (1561/2-1636) was one of the most significant painters to work in England during the age of Shakespeare. Gheeraerts produced some of the most haunting and beautiful portraits in British art including, most famously, his 'Ditchley portrait of Elizabeth I, …Cited by: 1

Marcus Gheeraerts II 1561 or 2–1636 Tate

    https://www.tate.org.uk/art/artists/marcus-gheeraerts-ii-206
    Marcus Gheeraerts (also written as Gerards or Geerards; c. 1561/62 – 19 January 1636) was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter.

Marcus Gheeraerts II - Elizabethan Artist Kanopy

    https://www.kanopy.com/product/marcus-gheeraerts-ii-elizabethan-artist
    Nov 24, 2010 · Marcus Gheeraerts II (1561/2-1636) was one of the great portrait artists of Elizabethan and Jacobean England. A contemporary of William Shakespeare, he painted many of the leading Britons of the time, including Elizabeth I....5/5(4)

Marcus Gheeraerts II: Elizabethan artist - CODART

    https://www.codart.nl/guide/agenda/marcus-gheeraerts-ii-elizabethan-artist/
    Dec 02, 2002 · Yet little is known about the man who painted it: Marcus Gheeraerts II, or ‘the Younger’ (1561/2-1636). Not only is this exhibition the first monographic show to be devoted to this important late Elizabethan and Jacobean artist, but the accompanying publication by Tate Curator Karen Hearn is the first book to focus solely on his work.

Pearly queen – Essay Tate

    https://www.tate.org.uk/art/artists/marcus-gheeraerts-ii-206/pearly-queen
    By the time Marcus Gheeraerts II (1561/2–1636) painted this picture, in about 1595, he was one of the most prominent portraitists of the era. A few years ealier, his monumental Ditchley portrait of a resplendent Elizabeth I had proclaimed the abilities of this Bruges-born artist.

‘Portrait of a Woman in Red’, Marcus Gheeraerts II, 1620 ...

    https://www.tate.org.uk/art/artworks/gheeraerts-portrait-of-a-woman-in-red-t03456
    The Tate Gallery 1982–84: Illustrated Catalogue of Acquisitions, London 1986, p.22; Karen Hearn, Marcus Gheeraerts II: Elizabethan Artist, exhibition catalogue, Tate Britain, London 2002, pp.46–8, 53–6. This portrait is traditionally thought to represent a lady of the Constable family, who were ancestors of the Dukes of Norfolk in the Herries line. If this is the case, she may be Anne, daughter of Sir William …

attributed to Marcus Gheeraerts II - Tate

    https://www.tate.org.uk/art/artworks/gheeraerts-portrait-of-an-unknown-lady-t07699
    Marcus Gheeraerts II was born in Bruges and brought to England by his painter father, a religious exile from the Catholic Spanish Netherlands. By the early 1590s he was working for elite court patrons and his most celebrated painting is the large ‘Ditchley’ portrait of Elizabeth I (National Portrait Gallery, London). He became the favoured artist of Anne of Denmark (1574-1619), wife of Elizabeth’s successor, James I, until about 1617, when he was superseded by younger artists …

1592 – Marcus Gheeraerts the Younger, Elizabeth I (1533 ...

    https://fashionhistory.fitnyc.edu/1592-gheeraerts-ditchley/
    Jan 07, 2020 · T he Ditchley Portrait of Queen Elizabeth I was painted by Marcus Gheeraerts the Younger. Gheeraerts was renowned as the “most fashionable portraitist of the 1590s” (National Gallery of Art). The Ditchley Portrait further propelled his reputation due to the groundbreaking and innovative techniques he employed (James 320).

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