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https://www.marcuse.org/herbert/pubs/64onedim/odm3.html
In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence-a "higher level" or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of …
https://www.amazon.com/Art-Alienation-Humanities-Engagement-Philosophy/dp/0791444619
Neither Marcuse believes nor Reitz is accusing him of arguing that aesthetics are free from political influence, and or neglecting the impact of commodification of sex, and the impact of abuses of the sensual and the sublime on the alienation process. Marcuse sees technical progress and the advancement of science as prerequisites for freedom, provided that their direction is altered and their goals are redefined free from the influence of alienating …5/5(1)
https://jacobinmag.com/2021/02/herbert-marcuse-matt-taibbi-frankfurt-school
Marcuse argued that, in actuality, the “traditional images of artistic alienation” associated with Romanticism do not belong to the past. Instead, he said, in . . . formulation, they “recall and preserve in memory belongs to the future: images of a gratification that would destroy the society that suppresses it.
http://www.sunypress.edu/p-3115-art-alienation-and-the-humaniti.aspx
By examining the aesthetic, social, and educational philosophy of Herbert Marcuse, the author documents and demonstrates the structure and movement of Marcuse's thought on art, alienation, and the humanities. Reitz's work stresses the centrality of Marcuse's argument that the arts and humanities may act as disalienating educational forces.
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