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http://adb.anu.edu.au/biography/preston-margaret-rose-8106
May 28, 1963 · Margaret Rose Preston (1875-1963), artist, was born on 29 April 1875 at Port Adelaide, elder daughter of David McPherson, marine engineer, and his wife Prudence Cleverdon (d.1903), née Lyle. By 1885 the family was living in Sydney where Rose about 1888 began training with Lister Lister .
https://www.daao.org.au/bio/margaret-preston/biography/
Margaret Preston b. 29 April 1875. Also known as Margaret Rose McPherson, Rose McPherson, Margaret Rose Macpherson, Margaret Rose Preston, Margaret Macpherson. Artist (Painter), Artist (Printmaker), Artist (Ceramist) Margaret Preston specialised in still life subjects, seeking to reinvent the genre, with inspiration from Aboriginal art and Australian native flowers, but she also made …
https://margaretpreston1930s.weebly.com/
Biography Margaret Rose Preston was an Australian artist, who was born on the 19th April 1875 at Port Adelaide. She was the eldest daughter of David McPherson and Prudence Cleverdon. In 1885 the family moved to live in Sydney, where Margaret began her artistic training with an artist named William Lister (Seivl 2006-2013 para.1).
https://www.daao.org.au/bio/margaret-preston/
Margaret Preston b. 29 April 1875. Also known as Margaret Rose McPherson, Rose McPherson, Margaret Rose Macpherson, Margaret Rose Preston, Margaret Macpherson. Artist (Painter), Artist (Printmaker), Artist (Ceramist) Margaret Preston specialised in still life subjects, seeking to reinvent the genre, with inspiration from Aboriginal art and Australian native flowers, but she also made …
https://margaretprestonartwebsite.weebly.com/biography.html
Margaret Preston was an Australian artist who specialised in printmaking and painting. She created a prodigious amount of works and was a leading example of early Australian modernism. Margaret incorporated artistic cultures from all over the world into her works.
http://archive.artgallery.nsw.gov.au/__data/page/7638/MP_edkit_A.pdf
Margaret Preston’s ill health and treatment for cancer may have prompted her move to Berowra, an area long promoted as a therapeutic retreat. Here a low, wide wooden house surrounded by bushland became her base for most of the 1930s. Concentrating on images of local wildflowers, her practice became largely seasonal.
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