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https://www.mariamartinez-canas.com/
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https://americanart.si.edu/artist/maria-martinez-canas-7288
MARÍA MARTÍNEZ-CAÑAS: My name is María Martínez-Cañas, and I am a photography-based artist living in Miami. The series that is here at the Smithsonian American Art Museum belongs to a series that I did titled “The Black Totems.” I did that series from 1991 to 1992. There were a group of about 17 images total in the series.Born: May 19, 1960
https://hammer.ucla.edu/radical-women/artists/maria-martinez-canas
The experimental photographer María Martínez-Cañas was born in Cuba in 1960. When she was still a child, her family left Cuba and moved to Miami and then to Puerto Rico in 1964. A precocious photographer, she had her first exhibition in 1977, Reflejos, at Galería Casa Aboy in San Juan. Martínez- Cañas left Puerto Rico to attend the Philadelphia College of Art (BFA 1982) and School of the Art …
https://www.artsy.net/artist/maria-martinez-canas
Lies, Waiting, 2005. . Bunker Series 005, 2013. Biography. Maria Martinez-Cañas tests the limits of photography, using nearly every form of the medium—from analog to digital, color to black-and-white, camera-less to camera-based—to create photographs, collages, videos, and mixed-media installations through which she explores the mutability of identity and perception.Nationality: Cuban
https://www.artspace.com/artist/maria-martinez-canas
Martinez-Cañas has exhibited her work in a number of solo exhibitions throughout the word including Julie Saul Gallery, New York, Freedom Tower, Miami, Schneider Gallery, Chicago, Fredric Snitzer Gallery, Miami, Catherine Edelman Gallery, Chicago, Museum of Art, Fort Lauderdale, FL, and The National Museum of Women in the Arts, Washington, D.C., among others.
https://americanart.si.edu/exhibitions/our-america/online/totem-negro
María Martínez-Cañas, Totem Negro XVI, 1992, gelatin silver print, Smithsonian American Art Museum About this Artwork Born in Cuba, raised in Puerto Rico, and now living in Miami, Martínez-Cañas assembles the pieces of her multifaceted identity into a totem by using a complex photographic process.
https://npg.si.edu/exhibit/staging/martinez_canas.html
María Martínez-Cañas seems to have been born with a camera: at eight years old she was working with a Polaroid Swinger and then a Twin-Lens Rolleiflex that her mother brought from Cuba. Martínez-Cañas was raised in Puerto Rico, where her love of photography and art has culminated in …
https://cubanartnewsarchive.org/2017/03/09/in-the-studio-with-maria-martinez-canas/
Mar 09, 2017 · María Martínez-Cañas, Rebus + Diversions, Untitled 10, 2016. Courtesy María Martínez-Cañas. With her series Rebus + Diversions , María Martínez-Cañas uses the archives of influential curator and art historian José Gómez Sicre (1916–1991) to explore Cuban art history and her own biography. Here, Martínez-Cañas chats with Cuban Art News about five of her works and the stories …Author: Susan Delson
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