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Rauschenberg Sculptures, Bio, Ideas TheArtStory

    https://www.theartstory.org/artist/rauschenberg-robert/
    One of the key Neo-Dada movement artists, his experimental approach expanded the traditional boundaries of art, opening up avenues of exploration for future artists. Although Rauschenberg was the enfant terrible of the art world in the 1950s, he was deeply respected and admired by his predecessors.Nationality: American

Rauschenberg Artworks & Famous Sculptures TheArtStory

    https://www.theartstory.org/artist/rauschenberg-robert/artworks/
    May 12, 2008 · White Paintings. Originally viewed as a scandalous swindle, Rauschenberg's White Paintings were an early codification of the artistic ideals that dominated his entire oeuvre.The White Paintings currently exist in five different permutations of multi-paneled canvases, which Rauschenberg intentionally left free of any mark of the artist's hand. By removing any gesture, the works could be, …

Mark, from Rauschenberg: XXXIV Drawings for Dante's ...

    https://www.artic.edu/artworks/99120/mark-from-rauschenberg-xxxiv-drawings-for-dante-s-inferno
    Artist: Robert Rauschenberg (American, 1925-2008) published by Universal Limited Art Editions (American, founded 1955) About this artwork Currently Off View Prints and Drawings Artist Robert Rauschenberg Title Mark, from Rauschenberg: XXXIV Drawings for Dante's Inferno Origin United States Date 1964 Medium Lithograph in black on white laid ...

Mark, from Rauschenberg: XXXIV Drawings for Dante's ...

    https://www.artic.edu/artworks/99121/mark-from-rauschenberg-xxxiv-drawings-for-dante-s-inferno
    Mark, from Rauschenberg: XXXIV Drawings for Dante’s Inferno Date: 1964. Artist: Robert Rauschenberg (American, 1925-2008) published by Universal Limited Art …

Robert Rauschenberg: A Revolutionary Sculptor and Artist ...

    https://www.thecollector.com/robert-rauschenberg/
    Jul 27, 2020 · Responding to his Abstract Expressionist milieu, Rauschenberg painted his first-ever groundbreaking canvas in 1951, composed of multiple modular panels. His White Painting lacked any visible mark of an artist, however, alluding to modernist forerunner Kazimir Malevich’s White On White.

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