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https://www.csus.edu/indiv/o/obriene/art112/Readings/Martha%20Rosler%20Statement.pdf
statement martha rosier From an early age I felt oppressed by a conspiracy of silences, silences about things in the wider world most of which were perpetually present, unspoken but forming the unmarked boundaries of the possible. I felt the passivity and fatalism that went along with this silence. I
https://www.theartstory.org/artist/rosler-martha/
Summary of Martha Rosler. Regardless of medium or message, Martha Rosler's biggest contribution to the art world lies in her ability to present imagery that spotlights the veil between facade and reality, comfort and discomfort, and the myriad ways we keep our eyes wide shut or wide open. During the Feminist art movement of the 1970s, she explored the imposed versus exposed injustices of being a …Nationality: American
https://www.aaa.si.edu/collections/items/detail/martha-rosler-response-to-what-feminist-art-12901
Physical Details: Artists' Statement : 1 p. : typescript ; 28 x 22 cm. Description: Response by Martha Rosler to participation invitation sent by Ruth Iskin, Lucy Lippard, and Arlene Raven for 1976 "What is Feminist Art?" exhibition at the Woman's Building. The response consists of a typescript statement with handwritten annotations.
https://www.the-artists.org/Martha-Rosler/
Rosler was a pioneering feminist and political artist of the ‘60s and ‘70s. In her original "Bringing the War Home: House Beautiful" montages from 1967 to ‘72, she cut up magazines and pasted together war and home-decor photos to create nightmare scenes that recalled the World War I-era photomontage satires of German Dadaists Hannah Hoch and John Heartfield… martha rosler
https://www.theartstory.org/artist/rosler-martha/artworks/
Recognizing the potential for manipulation in the photographic medium, Rosler once stated, "Any familiarity with photographic history shows that manipulation is integral to photography." Photomontage - Collection of Mitchell-Innes & Nash Gallery, New York, New York. Artwork Images. c.1966-72.
https://artmap.com/profile/martha-rosler
„Martha Rosler: Four Works“, Viewpoints on Video Cable Series, organized by the Long Beach Museum of Art, Broadcast throughout California. American Film Insitute Video Festival, Los Angeles, „Premiere“ screening, „Born to Be Sold“. 1987 „Focus: Martha Rosler“, Instiute of Contemporary Art, Boston.
https://exclusivethesis.com/various/martha-rosler/
Martha Rosler was born in Brooklyn, New York in 1943. She completed her BA degree at Brooklyn College in 1965. It is evident that Rosler is an underground artist who has revolutionized combination and application of different media in filmmaking. Martha’s influences on the art of filmmaking remain obvious and continue to evolve over time.
https://www.artspace.com/artist/martha_rosler
An accomplished writer and artist, Martha Rosler has used text, video, and photography in her work to critique widely held assumptions about culture, identity, and human nature. In one of her best known works, the 1975 video Semiotics of the Kitchen, Rosler is shown displaying and pantomiming various kitchen utensils and their uses. The tools, which are introduced in alphabetical order, include knives, …
https://brooklynrail.org/2005/01/art/a
For these reasons Martha Rosler’s book of essays, Decoys and Disruptions, is the most exceptional of four recent books of artists’ writings published by MIT Press; the others collect the words of Ed Ruscha and Mike Kelley. While one of the two-volume set of Kelley’s books and much of the Ruscha book consist of statements, interviews, or project proposals, Rosler’s consists entirely of critical essays on art …
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