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https://www.theartstory.org/artist/kippenberger-martin/
During his short life, the combustible, irreverent and prolific artist worked across many mediums including painting, drawing, photography, sculpture, performance art, installation art, and music experimentation. Though he claimed he "didn't have a style," Kippenberger is generally recognized for his penchant for appropriation, his use of found and/or sundry objects, and his insistence that art should connect in …Nationality: German
https://en.wikipedia.org/wiki/Martin_Kippenberger
Martin Kippenberger was a German artist and sculptor known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona. Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation …Born: 25 February 1953, Dortmund, West Germany
https://www.saatchigallery.com/artist/martin_kippenberger
Martin Kippenberger developed an elaborate concept of aesthetics where the trivial and the subcultural became as influential on his working practice as the masterpieces of art history. Often sparked off by the banality of life, by politics, media and advertising, for Kippenberger there was no subject which could not be turned into art.
https://www.museum-folkwang.de/en/about-us/collection/painting-sculpture-media-art/martin-kippenberger.html
Which spirits is Martin Kippenberger conjuring up here? In his second presentation of the work he made a clear statement on it: The end of avant-garde. To this end he cut a door into the photo of Martin Bormann’s gas station through which you entered an exhibition featuring wild parodies of the icons of Modernism. Did Bormann make Modernism impossible; was it only possible to reflect on art ironically …
https://www.saatchigallery.com/artists/martin_kippenberger_triumph_painting1.htm
Every aspect of Martin Kippenberger’s practice was a self-contained act of decadence, designed to add to the myth of the artist as a whole. In I Am Too Political, Martin Kippenberger paints an image stripped of direct content: six canvases joined together as one form a billboard-like design, bolstering a …
https://www.theartstory.org/artist/kippenberger-martin/artworks/
Like Beuys, Kippenberger made art on a range of surfaces, and hotel paper was a legitimate found source on which to impress new ideas. Though Kippenberger had parodied Beuys in the past (in Capri at Night for example) the artists shared an interest in the processes of recycling and renewal. The drawings are often sketchy and contain elements of ...
https://www.cahiersdart.com/en/exhibitions/martin-kippenberger/
Despite his short life, the artist left behind a prolific body of work and is often described as a Neo-Dadaist for his energetic irreverence towards art history and society. The selection of works on view embodies some of the strongest recurrent themes in Kippenberger’s work.
http://www.dreamideamachine.com/en/?p=52406
Martin Kippenberger is one of the most important German artists. He decisively shaped the image of art in the postmodern era. His wit, his unrestrained creative urge, and the resulting work assured him a prominent position within the contemporary art scene during his lifetime. He now occupies an important place in art historical consideration today.
https://www.nevuefineartmarketing.com/art-quotes/
Nov 20, 2020 · “A Good artist has less time than ideas.” – Martin Kippenberger “Colour is my day-long obsession, joy, and torment.” – Claude Monet “If people knew how hard I worked to get my mastery, it wouldn’t seem so wonderful at all.” – Michelangelo “Art is the only way to run away without leaving home.” – Twyla Tharp
https://www.christies.com/en/lot/lot-5608685
Charismatic and irreverent, Martin Kippenberger is remembered for his conceptual and expressive transformation of the 1980s and 1990s artscene. Waging a one-man assault against the art world's status quo, Kippenberger was bent on destabilizing the post-War German paradigm, with its prescriptions for style and ideology.
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