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Matthew Barney Biography, Art, Films, Cremaster, & Facts ...

    https://www.britannica.com/biography/Matthew-Barney
    Feb 02, 2021 · Matthew Barney, (born March 25, 1967, San Francisco, California, U.S.), American sculptor and video artist whose five-part Cremaster film cycle was praised for its inventiveness. Some art critics considered him one of the most significant artists of his generation.

Matthew Barney: Redoubt Yale University Art Gallery

    https://artgallery.yale.edu/exhibitions/exhibition/matthew-barney-redoubt
    Mar 01, 2019 · Matthew Barney: Redoubt is a comprehensive catalogue of the artist’s newest project, which centers on a two-hour film that creates a complex portrait of the American landscape by layering classical, cosmological, and American myths about humanity’s place in the natural world.In the film, the goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in ...

Matthew Barney - IMDb

    https://www.imdb.com/name/nm0056030/
    Matthew Barney was born on March 25, 1967 in San Francisco, California, USA. He is a director and writer, known for Drawing Restraint 9 (2005), Cremaster 2 (1999) and De Lama Lamina (2007). …

Matthew Barney - 49 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/matthew-barney
    Biography Known for large-scale multimedia projects—often made in series over several years—Matthew Barney is among the most ambitious artists of the past two decades. His work is invested with layers of art-historical references, archetypal imagery, and historical re-enactment.Nationality: American

Matthew Barney: Redoubt UCCA Center for Contemporary Art

    https://ucca.org.cn/en/exhibition/matthew-barney-redoubt/
    With “Redoubt,” Matthew Barney (b. 1967, San Francisco, lives and works in New York) has combined traditional casting methods and new digital technologies with unprecedented techniques to create artworks of formal and material complexity, and narrative density.

Matthew Barney in “Consumption” (SEGMENT) Art21

    https://art21.org/watch/art-in-the-twenty-first-century/s1/matthew-barney-in-consumption-segment/
    Sep 28, 2001 · Matthew Barney entered the art world after graduating from Yale in 1991 to almost instant controversy and success. He is best known as the producer and creator of the Cremaster films, a series of five visually extravagant works created out of sequence.

Matthew Barney: 'My work is not for everyone' Art The ...

    https://www.theguardian.com/artanddesign/2014/jun/16/matthew-barney-river-of-fundament-film
    Jun 16, 2014 · Film-maker Matthew Barney, famous for huge, daring works about everything from whaling ships to dentistry, took seven years to make his latest five-hour epic – and it was almost too obscene for...

(PDF) "Matthew Barney: artiste/auteur. Pour une ...

    https://www.academia.edu/33375709/_Matthew_Barney_artiste_auteur_Pour_une_hybridation_des_genres_in_Entrelacs_En_ligne_9_2012_Marc_Jean_Filaire_dir_mis_en_ligne_le_22_octobre_2012
    De la vidéo des corps RESTRAINT 2, 1988 La pratique de Matthew Barney connaît certains précédents dans les générations d'artistes de la seconde moitié du XXe siècle : l'utilisation du corps comme véhicule artistique et l'introduction de la performance et de matériaux viscéraux comme médiums expressifs chez Joseph Beuys, Vito Acconci ou Carolee Schneemann.

Artists ♥ Football: Matthew Barney SFMOMA Shorts - YouTube

    https://www.youtube.com/watch?v=je6Ux_IVllA
    Artist Matthew Barney describes how his experience as an athlete shaped his early work. He discusses his project Drawing Restraint (1987–ongoing), which incl...

(PDF) Le parcours à l’œuvre - Temps, espace et déplacement ...

    https://www.academia.edu/15115097/Le_parcours_%C3%A0_l_%C5%93uvre_Temps_espace_et_d%C3%A9placement_dans_l_%C5%93uvre_de_Matthew_Barney
    Cette explicités dans le descriptif des Drawing « machine animale » révèle à chaque mouvement, dans son déploie- Restraint-18 dans ment dans l’espace et le temps, son eficacité pathétique, en une pos- Matthew Barney, ture foncièrement aristotélicienne – postulant que la machine animale op. cit., p. 58.

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