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https://www.artsy.net/artist/maurizio-cattelan
Nothing is sacred to Maurizio Cattelan, the art world’s resident jokester who has been variously amusing and horrifying viewers since the early 1990s. For his 2012 retrospective at the Guggenheim, “All,” Cattelan hung the full range of his iconoclastic sculptures from the center of the museum’s sanctified rotunda—including waxworks of a miniature Hitler, Pope John Paul II struck down by lightning, JFK in a coffin, and the artist …Nationality: Italian
http://www.artnet.com/artists/maurizio-cattelan/
Maurizio Cattelan is a contemporary Italian Conceptual artist. View Maurizio Cattelan’s 685 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available sculpture, photographs, and prints and multiples for sale and learn about the artist.Nationality: Italian
https://www.wikiart.org/en/maurizio-cattelan
Maurizio Cattelan (born 21 September 1960) is an Italian artist. He is known for his satirical sculptures, particularly La Nona Ora (1999) (The Ninth Hour, depicting Pope John Paul II struck down by a meteorite), Him (2001), and Love Lasts Forever (1997). Cattelan was born on …Birth place: Padova, Italy
https://www.britannica.com/biography/Maurizio-Cattelan
Maurizio Cattelan, (born January 6, 1960, Padua, Italy), Italian conceptual artist known for his subversive prankish displays. A self-taught artist, Cattelan began his career designing furniture but turned to sculpture and conceptual art in the early 1990s and quickly garnered a reputation for a sense of humour and a penchant for blurring the distinction between art and reality.
https://www.perrotin.com/artists/Maurizio_Cattelan/2
Maurizio Cattelan is one of the most popular as well as controversial artists on the contemporary art scene. Taking freely from the real world of people and objects, his works are an irreverent operation aimed at both art and institutions. His playful and provocative use of materials, objects, and gestures set in challenging contexts forces commentary and engagement.
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