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https://oxford.universitypressscholarship.com/view/10.1093/0198236239.001.0001/acprof-9780198236238-chapter-3
Merleau–Ponty's account of the relation between perception and art is given a detailed exposition. It is then critically appraised and defended in a broader philosophical context. Particular attention is paid to the concept of style, and the significance of painting. Keywords: Merleau–Ponty, painting, perception, style
https://monoskop.org/Maurice_Merleau-Ponty
Maurice Merleau-Ponty (14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger. The constitution of meaning in human experience was his main interest and he wrote on perception, art and politics.
https://www.academia.edu/35941062/Merleau_Ponty_s_Phenomenology_and_Installation_Art
The artist, the spectator, and the outer world are much too cussions are confined to painting, we do not need interchangeably involved here.' 0 to look far afield to see how this philosopher's We can compare this prescient statement with Merleau-Ponty's ideas could be interpreted by artists wishing to observation : break away from painting's ...
https://aeon.co/essays/the-phenomenology-of-merleau-ponty-and-embodiment-in-the-world
Dec 07, 2020 · Merleau-Ponty took up this challenge, and stuck to it throughout his career, with an ongoing interest in perception: ‘true philosophy’, he wrote in the introduction to Phenomenology of Perception, ‘consists in relearning to look at the world’. In that early work, Merleau-Ponty set out two key insights that would become canonical.
http://www.timothyquigley.net/ipa/mp-cd_intro.pdf
Merleau-Ponty begins his essay on Cézanne with a fairly detailed description of his approach to painting, his goal and technique. M-P contrasts, or rather compares and contrasts, Cézanne's evolution of personal style with what we generally refer to as Impressionism. He does this not
https://www.merleauponty.org/
The International Merleau-Ponty Circle is an organization of students, professors, and scholars interested in the thought of Maurice Merleau-Ponty. It was founded in 1976 and convenes once a year, usually in late summer or early fall, at various colleges and universities in the U.S., Canada, and abroad.
https://www.bloomsbury.com/uk/merleau-ponty-at-the-limits-of-art-religion-and-perception-9781441110466/
Through close studies of French phenomenologist Maurice Merleau-Ponty's life and work, the authors examine one of the twentieth century's most interdisciplinary philosophers whose thought intersected with and contributed to the practices of art, psychology, literature, faith and philosophy.
https://www.widewalls.ch/magazine/perception-in-art
Dec 06, 2016 · Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect.
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