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https://www.michaelcraigmartin.co.uk/
ON ART SCHOOL MODELS, OLD AND NEW’. At Frieze Masters, SATURDAY 5 OCTOBER, 12PM: MICHAEL CRAIG-MARTIN IN CONVERSATION WITH EMILIE GORDENKER. More information. SCULPTURE. Gagosian Britannia Street, London. 31 May - 23 August 2019.
https://www.michaelcraigmartin.co.uk/biography-1
Michael Craig-Martin was born in Dublin Ireland in 1941. He grew up and was educated in the United States, studying Fine Art at the Yale School of Art and Architecture. He has lived and worked in Britain since 1966. His first solo exhibition was at the Rowan Gallery, London, in 1969.
https://www.tate.org.uk/art/artists/michael-craig-martin-955
Sir Michael Craig-Martin (born 28 August 1941) is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths.
https://www.santacole.com/en/biographies/?michael-craig-martin
Born in Dublin in 1941, Michael Craig-Martin is a contemporary conceptual artist and painter who is part of the Young British Artists group, known for encouraging young British artists and taking them under its wing. He was strongly influenced by the multidisciplinary experimentation and minimalist theories of colour and form of Josef Albers.
http://www.artnet.com/artists/michael-craig-martin/
Michael Craig-Martin is an Irish Conceptual artist. Frequently working in candy-colored paintings of text and everyday objects, Craig-Martin’s practice is both varied and playful.Nationality: Irish
https://cristearoberts.com/artists/57-michael-craig-martin/
Michael Craig-Martin, one of the most influential artists and teachers of his generation, was born in Dublin, Ireland, in 1941 and educated in the United States where he studied History at Fordham University, New York, from 1955-59 before going on to attain a BA and an MFA in Fine Art at Yale University from 1961-66.
https://gagosian.com/artists/michael-craig-martin/
A principal figure of British conceptual art, Michael Craig-Martin probes the relationship between objects and images, harnessing the human capacity to imagine absent forms through symbols and pictures. The perceptual tension between object, representation, and language has been his central concern over the past four decades.
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