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https://www.michaelwhelan.com/author/michael-whelan/
by Michael Whelan Jan 7, 2017 ART GALLERY, NOW ON VIEW. Creative exercises can help keep an artist focused and productive. That was the thought going into 2016 with the Leftovers & Palette Gremlins project…and boy did the project prove essential …
https://www.michaelwhelan.com/category/author-galleries/
Oct 07, 2020 · A nne McCaffrey loved Michael Whelan’s covers—and so did the fans. One of the things that sets Michael Whelan above some other cover artists is that he reads the books before he illustrates them, and that brings a level of detail to his covers that really makes them shine.
https://www.michaelwhelan.com/gallery/
One of the things that sets Michael Whelan above some other cover artists is that he reads the books before he illustrates them, and that brings a level of detail to his covers that really makes them shine.
https://thegallerist.art/michael-whelan/
Michael Whelan is one of the world’s premier painters of imaginative realism. For 40 years he has created book and album covers for authors and musicians like Isaac Asimov, Stephen King, Ray Bradbury, Brandon Sanderson, the Jacksons and MeatLoaf. His clients have included every major U.S. book publisher, the National Geographic Society, CBS Records, and the Franklin Mint.
https://www.michaelwhelan.com/stormlight/
Oct 07, 2020 · S ince my earliest days, I’ve been drawn to the idea of “other worlds” and couldn’t read enough fantasy and science fiction stories. Seeking transport to strange new realms of the imagination has remained a constant throughout my life. Lately that overriding impulse has seen its greatest evocation in the works of Brandon Sanderson.
http://www.michaelwhelan.com/author/michaelrjackson/
New York, NY – 5 Original Michael Whelan paintings are on display at the Society of Illustrators as part of the new exhibition “Masters of the Fantastic.” Stories of fantasy and science fiction dominate today’s cultural mainstream, and illustration plays a central role in the appeal and popular acceptance of the fantasy narrative.
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