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Lucille Bogan, A Mississippi Musician

    https://www.mswritersandmusicians.com/mississippi-musicians/lucille-bogan
    Lucille Bogan (Bessie Jackson): A Biography by Jamie Buehler (SHS) Jamie Buehler (SHS Researcher) “Born Lucille Armstrong in Amory, Mississippi, on April 1, 1897, she remained true to her roots as a blues stylist” (MSAlmanac).

Lucille Bogan - Wikipedia

    https://en.wikipedia.org/wiki/Lucille_Bogan
    Lucille Bogan (April 1, 1897 – August 10, 1948) was an American classic female blues singer and songwriter, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson.Music critic Ernest Borneman noted that Bogan was one of "the big three of the blues", along with Ma Rainey and Bessie Smith. Many of Bogan's songs have been recorded by later blues and jazz musicians.

LUCILLE BOGAN - All About Blues Music

    https://www.allaboutbluesmusic.com/lucille-bogan/
    Aug 10, 2012 · Lucille Bogan is infamous in the history of the Blues as the writer of some of the most sexually explicit songs ever committed to record. Her song 'Shave 'Em Dry', recorded under the pseudonym Bessie Jackson, begins “I've got nipples on my titties as big as the end of my thumb/ Got somethin' 'tween my legs'll make a dead man come!”.

Lucille Bogan Biography & History AllMusic

    https://www.allmusic.com/artist/lucille-bogan-mn0000836144/biography
    Bessie Jackson was a pseudonym of Lucille Bogan, a classic female blues artist from the '20s and '30s.Her outspoken lyrics deal with sexuality in a manner that manages to raise eyebrows even within a genre that is about as nasty as recorded music ever got prior to the emergence of artists such as 2 Live Crew or Ludacris.The name change seems to be quite different in her case than the usual ...

Bessie Jackson Biography & History AllMusic

    https://www.allmusic.com/artist/bessie-jackson-mn0000043894
    Bessie Jackson was a pseudonym for Lucille Bogan, a classic female blues artist from the '20s and '30s whose outspoken lyrics deal with sexuality in a manner that manages to raise eyebrows even within a genre that is about as nasty as recorded music ever got prior to the emergence of artists such as 2 Live Crew or Ludacris.

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