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Moussa Sarr Artist Bio and Art for Sale Artspace

    https://www.artspace.com/artist/moussa-sarr
    Moussa Sarr biography and art for sale. Buy art at exclusive members only pricing at the leading online contemporary art marketplace.

Moussa Sarr Réseau Documents d'Artistes

    https://reseau-dda.org/en/artists/moussa-sarr
    Mousa Sarr's work does not beat about the bush: his videos are based on a direct confrontation. With wit and a good measure of self-mockery, he films himself in sequence shots in the process of undertaking more or less lengthy actions. This way of imposing his image and getting […]

moussa-sarr — M.Bassy

    https://m-bassy.org/en/programm/moussa-sarr
    Moussa Sarr M.Bassy welcomes the artist Moussa Sarr (*1984) from Marseille for an artist in residence-program in cooperation with the Goethe-Institut Marseille and the Centre Photographique Marseille, sponsored by the Ministry of Culture and Media Hamburg, here in Hamburg.

Moussa Sarr Artist Profile with Bio

    https://www.mutualart.com/Artist/Moussa-Sarr/0F6D3D22FE2CD5F5
    Stay up to date with Moussa Sarr ( 1984) . Discover works for sale, auction results, market data, news and exhibitions on MutualArt. Moussa Sarr Artist Profile with Bio

Moussa Sarr Artiste

    https://espace2sarr.wordpress.com/
    Festival Traverse Vidéo. Les abattoirs, Toulouse (Fr) – 8 > 31 March 2017. Moussa Sarr’s program Versus in Sydney, Australia. University of New South Wales, 20 > 24th Feb 2017. And during the launch of Liverpool’s new giant screen, 21 feb > 21 May 2017. Curated by Videospread.

Moussa Sarr - Artist

    https://www.artrabbit.com/people/moussa-sarr-1
    Exhibition. Moussa Sarr: The Bumblebee, the Fly and the Mosquito. 28 Sep 2015 – 31 Oct 2015. Art Exchange Gallery. Colchester, United Kingdom

Moussa Sarr 13 March - 8 May 2015 Cecilia Brunson Projects

    https://www.ceciliabrunsonprojects.com/exhibitions/10/overview/
    Moussa Sarr is an artist drawing uncomfortable racial taboos out from under the carpet. His autofilmage vignettes confront the viewer with notions of ‘the primitive’ that have been diluted or repressed by social mores but, as Sarr highlights, are far from extinguished.

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