Interested in National Portrait Gallery Artists Suppliers? On this page, we have collected links for you, where you will receive the most necessary information about National Portrait Gallery Artists Suppliers.
https://www.npg.org.uk/research/programmes/artists-their-materials-and-suppliers/
This website feature arises out of the interest shown in the directory, British artists' suppliers, 1650-1950. Contributions are welcome on artists, their materials and suppliers, with a focus on historical rather than purely technical studies. Contact Jacob Simon, National Portrait Gallery…
https://www.npg.org.uk/research/programmes/directory-of-suppliers/
British artists’ suppliers, 1650-1950. An online resource, researched and written by Jacob Simon, 1st edition 2006, 2nd edition 2008, 3rd edition 2011, now selectively updated twice yearly. ... References to marked canvases and supports in the National Portrait Gallery collection have been recorded by Dr Tim Moreton. Those in salerooms ...
https://www.npg.org.uk/business/venuehire/venue-hire-approved-suppliers
Please note that only those suppliers listed here are entitled to work at the National Portrait Gallery, having all undergone a detailed tendering process to comply with Gallery specifications. Our approved suppliers cover a wide range of styles and budgets.
https://www.npg.org.uk/research/programmes/directory-of-suppliers/m/
Continental suppliers used by British-based artists when abroad are treated in summary detail in this resource. Louis Elisée Mary was initially a lithographic printer and went into partnership with Victor-Alfred Briet in 1864 at 70 rue Rochechuart (Gazette nationale ou le Moniteur universel France, 13 November 1864, accessed through Gallica).
https://www.npg.org.uk/research/programmes/directory-of-suppliers/w/
Marked supports used by other artists in the 1870s include James Jacques Tissot's Frederick Burnaby, 1870 (National Portrait Gallery) and Miss Milner-Gibson, c.1872 (Bury St Edmunds Museums Service, see Christopher Reeve, ‘A portrait by James Tissot’, Burlington Magazine, vol.131, 1989, p.218), William Hennessy’s Mon Brave, 1870, marked ...
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