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https://hyperallergic.com/70673/the-nea-four-revisited-on-arts-funding/
May 14, 2013 · It’s a set of five week-long residencies featuring each of the artists known as the NEA Four — Tim Miller, Holly Hughes, John Fleck, and Karen Finley.Author: Alexis Clements
https://www.newmuseum.org/pages/view/residence-2
Karen Finley, John Fleck, Holly Hughes, and Tim Miller—solo performers known collectively as the NEA 4—played a pivotal role in the dramatic shifts in public funding for the arts that occurred during the culture wars of the early ’90s.
http://www.franklinfurnace.org/research/essays/nea4/ayers.html
the 'NEA Four' by Robert Ayers Karen Finley, Tim Miller, Holly Hughes, and John Fleck - the 'NEA Four' - at New York University, April 15, 2004.
https://www.laweekly.com/no-i-dont-pee-on-the-audience-nea-4-artists-discuss-their-legendary-90s-culture-war-and-upcoming-reunion/
Sep 26, 2012 · The NEA 4 will disrupt The Carpenter Center with Holly Hughes and Tim Miller on Thursday, Sept. 27, and Karen Finley and John Fleck on …Author: Bill Raden
https://www.newmuseum.org/pages/view/residence-1
NEA 4 in Context The performance work of Karen Finley, John Fleck, Holly Hughes, and Tim Miller, funded in part by the US government, came under attack in the early ’90s for its frank treatment of themes of gender, sexuality, subjugation, and personal trauma.
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