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https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780199545964.001.0001/acprof-9780199545964
Nietzsche was not interested in the nature of art as such, or in providing an aesthetic theory of a traditional sort. For he regarded the significance of art to lie not in l’art pour l’art, but in the role that it might play in enabling us positively to ‘revalue’ the world and human experience.
http://www2.hawaii.edu/~freeman/courses/phil330/20.%20Nietzsche%20Later%20writings.pdf
boundary between philosophy and art in Nietzsche’s later writings that some have regarded as the starting point of postmodern thought. The application to art can be seen in those works of art, like in the paintings of Magritte, in which the artist more self-consciously recognizes his or her artifice. Nietzsche, Edvard Munch, 1906
https://www.accartbooks.com/us/book/friedrich-nietzsche-and-the-artists-of-the-new-weimar/
Several artists and writers sought to create a 'New Weimar' and position Friedrich Nietzsche at its head, as the radical prophet of modernity. In 1902, two years after the philosopher's death, Max Klinger was commissioned to carve Nietzsche's portrait where his cult was organized.
https://ndpr.nd.edu/news/nietzsche-on-art-and-life/
Ridley first examines Nietzsche's own musical tastes, arguing that Nietzsche was a conservative on such matters (222). He then claims that Nietzsche was immersed in the Romantic spirit of the time insofar as he held that music is immediately related to the essence of life and so music is the most important of the arts (224).
https://www.ebay.com/p/20038717638
Product Information - A lavishly illustrated publication to present the radical prophet of modernity- For the first time in North America, the exhibition and catalog also include a comprehensive series of early editions of Nietzsche's most influential booksAround 1900, a small group of influential patrons, critics, writers, and artists turned Weimar into a utopian center of modern art and thought.
https://philosophynow.org/issues/112/How_Nietzsche_Inspired_Dali
In the world of philosophy Nietzsche was considered a maverick, and he tragically ended up insane. Similarly, in the world of art, Salvador Dalí was seen as a problematic artist, and an eccentric. Dalí repeatedly refers to Nietzsche’s works in his Diary of a Genius.
https://pages.gseis.ucla.edu/faculty/kellner/Illumina%20Folder/kell22.htm
Nietzsche championed art as the most powerful enemy of the ascetic ideal and the ultimate source of cultural vitality. The crisis in modern culture is partly rooted in the fact that aesthetic sensibilities have been savaged by the repressive forces of instrumental rationality, social rationalization, and mass culture and society, thus art has ...
https://www.academia.edu/21644574/The_Influence_of_Friedrich_Nietzsches_Metaphysics_on_Giorgio_de_Chiricos_Art
The distant horizon only 21 Michael Taylor et al., Giorgio de Chirico and the Myth of Ariadne, (Philadelphia: Philadelphia Museum of Art, 2002) p. 67 22 Friedrich Nietzsche Thus Spoke Zarathustra, ed. R.J. Hollingdale, (London: Penguin Books, 2003), p. 130 10 Dori Gilinski further accentuates her static nature; life may go on beyond the canvas ...
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