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http://www.writing.upenn.edu/library/Nochlin-Linda_Why-Have-There-Been-No-Great-Women-Artists.pdf
Why Have There Been No Great Women Artists? by LINDA NOCHLIN. While the recent upsurge of feminist activity in this country has indeed been a liberating one, its force has been chiefly emotional --personal, psychological, and subjective--centered, like the other radical movements to which it is related,File Size: 118KB
https://theconversation.com/why-werent-there-any-great-women-artists-in-gratitude-to-linda-nochlin-153099
Jan 24, 2021 · In January 1971, Art News published Linda Nochlin’s Why have there been no great women artists? Her essay was both a clarion call for a new generation of women and a signal to change the...Author: Joanna Mendelssohn
https://www.davidrifkind.org/fiu/library_files/Linda%20Nochlin%20%20Why%20have%20there%20been%20no%20Great%20Women%20Artists.pdf
The fact is that there have been no great women artists, so far as we know, although there have been many interest-ing and good ones who have not been sufficiently investi-gated or appreciated—nor have there been any great Lith-uanian jazz pianists or Eskimo tennis players. That this should be the case is regrettable, but no amount of manip-
https://www.thoughtco.com/linda-nochlin-why-have-there-been-no-great-women-artists-4177997
“Why Have There Been No Great Women Artists?” Nochlin’s most famous text is the 1971 essay, originally published in ARTnews, titled “Why Have There Been No Great Women Artists?,” in which she investigated the institutional roadblocks which have prevented women from ascending to the top ranks of art throughout history.
https://daily.jstor.org/linda-nochlin-on-why-have-there-been-no-great-women-artists/
Mar 17, 2018 · Celebrated art historian and critic Linda Nochlin, who died last fall, was perhaps best known for her 1971 essay “ Why Have There Been No Great Women Artists?
https://elephant.art/why-have-there-been-no-great-women-artists-21022021/
Feb 21, 2021 · The question “insidiously supplies its own answer,” Nochlin writes: that “there are no great women artists because women are incapable of greatness.” She dismantles this via case studies of both male and female artists, paving a daunting but hopeful path towards women’s—and indeed, everyone’s—flourishing in the arts.
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