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Aleksandr Rodchenko. Non-Objective Painting no. 80 (Black ...

    https://www.moma.org/collection/works/78848
    Aleksandr Rodchenko Non-Objective Painting no. 80 (Black on Black) 1918. Not on view. Rodchenko made the Black on Black series, of which this work is part, in direct response to the White on White paintings that Kazimir Malevich had made earlier in 1918. With this gesture Rodchenko directly challenged the more established artist and the fundamental principles of Suprematism: if for Malevich the white in his paintings connoted the infinite expanse of the ideal, Rodchenko …

Non-objective composition, 1917 - Alexander Rodchenko ...

    https://www.wikiart.org/en/alexander-rodchenko/non-objective-composition-1917
    ‘Non-objective composition’ was created in 1917 by Alexander Rodchenko. Find more prominent pieces at Wikiart.org – best visual art database.Artist: Alexander Rodchenko

Alexander Rodchenko Non-objective composition (1919 ...

    https://www.artsy.net/artwork/alexander-rodchenko-non-objective-composition
    A central figure in Russian Constructivism, Alexander Rodchenko rejected the established artistic conventions of self-expression and aesthetics, dedicating himself with revolutionary fervour to bringing art to the masses. Rodchenko and the Constructivists produced radically abstract paintings, concerned with the placement and movement of objects in space and emphasizing dynamic diagonal compositions.Brand: Alexander Rodchenko

Rodchenko Artworks & Famous Paintings TheArtStory

    https://www.theartstory.org/artist/rodchenko-alexander/artworks/
    Non-Objective Painting No 80 (Black on Black) Rodchenko was powerfully influenced by Kazimir Malevich's Suprematism, and particularly by works such as Black Square (1915), which reduced the components of the painting to a single black square that echoed the shape of the canvas.

The Subject of Nonobjective Art post

    https://post.moma.org/the-subject-of-nonobjective-art/
    May 01, 2019 · Aleksandr Rodchenko. Non-Objective Painting no. 80 (Black on Black). 1918.Oil on canvas. Gift of the artist, through Jay Leyda. In the installation shots of past MoMA exhibitions dedicated to abstract art and the Russian avant-garde, Kazimir Malevich’s Suprematist Composition: White on White(1918) and Aleksandr Rodchenko’s Non-Objective Painting no. 80 (Black on Black)(1918), …

Non-Objective Painting no. 80 (Black on Black) by ...

    https://arthistoryproject.com/artists/aleksandr-rodchenko/non-objective-painting-no-80-black-on-black/
    Non-Objective Painting no. 80 (Black on Black) is a Suprematist Oil on Canvas Painting created by Aleksandr Rodchenko in 1918. It lives at the MOMA, Museum of Modern Art in New York. The image is used according to Educational Fair Use, and tagged Abstract Art.

Rodchenko Paintings, Bio, Ideas TheArtStory

    https://www.theartstory.org/artist/rodchenko-alexander/
    Non-Objective Painting No 80 (Black on Black) (1918) Rodchenko was powerfully influenced by Kazimir Malevich's Suprematism, and particularly by works such as Black Square (1915), which reduced the components of the painting to a single black square that echoed the shape of the canvas.

Rodchenko Non-Objective Painting no. 80 Art Blart

    https://artblart.com/tag/rodchenko-non-objective-painting-no-80/
    In 1918, Rodchenko made Non-Objective Painting no. 80 (Black on Black), one of a series of eight black paintings he conceived in direct response to the group of white paintings by Malevich. By eliminating colour almost completely, Rodchenko underscored the …

What Is Non Objective Art - Definition and Examples ...

    https://www.widewalls.ch/magazine/non-objective-art
    Jan 28, 2017 · Non-objective art is a general term that defines abstract art forms that lack adherence to identifiable, quantifiable, and observable characteristics of the living world. It is often linked with two seminal figures of Russian art, Alexander Rodchenko and his compatriot Kasimir Malevich , who pioneered abstract art based on geometrical forms and linearity, which is also referred to as …

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