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https://nativecanadianarts.com/artist/norman-tait/
Tait had a breakthrough in 1977 when the UBC Museum of Anthropology hosted a solo exhibit of 125 of his works. At the time, First Nations carvers were exhibited in group shows. He was known for the realistic detailing of his sculptured carving, moon masks, two-dimensional doors, and jewellery.
https://douglasreynoldsgallery.com/artist/norman-tait/
Norman Tait is one of the foremost Native Artists in British Columbia. His formal studies of the Northwest Coast artform began in 1973 when he studied under the renowned female carver and artist, Freda Diesing. Tait carved his first model totem pole at the age of eight, receiving encouragement from his mother Sadie Benson Tait.
https://nativeartprints.com/collections/norman-tait
Norman Tait's interest in Nisga'a art was sparked through the family traditions and oral histories that he experienced as a boy. He was the son of acclaimed carver Josiah Tait, and was the brother of Chief Alver Tait, who is also a celebrated Nisga'a carver. Norman went to a Residential School in Edmonton, AB, completed high school in Prince Rupert, BC, and then had a brief career as a millwright.
https://www.artland.com/artists/norman-tait
Norman Tait was a creative visual artist. Born in 1941, Norman Tait passed away in 2016. Artists like Laszlo Duz, Sri Martha, Elaine G. Coffee, Edward Roman, and Stuart Klipper were also born in 1941.. Further Biographical Context for Norman Tait
https://www.lattimergallery.com/blogs/news/114405958-norman-tait
Norman was the son of acclaimed carver Josiah Tait, and was the brother of Chief Alver Tait, who is also a celebrated Nisga'a carver. In 1973, he established himself as a wood carver with the production and raising of the first Nisga'a pole in over fifty years, which he carved with his father. In 2012, Norman was given the British Columbia Creative Lifetime Achievement Award in Aboriginal Art.
https://coastalpeoples.com/archive-artist/?a=norman-tait
Norman Tait was named the recipient of the 2012 Creative Lifetime Achievement Award for First Nations’ Art for his profound impact in his community and First Nations culture. As an internationally acclaimed artist, Norman’s talent continued to flourish in his later works. He is not only a master in large scale but also in miniatures.
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