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Art after Objecthood - The Drift

    https://www.thedriftmag.com/art-after-objecthood/
    Oct 21, 2020 · Art after Objecthood - The Drift. I n 1967, a budding art critic and PhD student named Michael Fried published the essay in Artforum that would make him famous. “Art and Objecthood” was on the surface a piece that took aim at the Minimalists, then a group of up-and-coming artists led by Donald Judd. But embedded in the critique was a fully-fledged theory of art …

Art and Objecthood: Fried against Fried – Nonsite.org

    https://nonsite.org/art-and-objecthood/
    Nov 01, 2017 · Michael Fried’s “Art and Objecthood,” published 50 years ago this year, is an inaugural text. It has a status very few writings on art have, being virtually continuously cited, discussed and disputed since its original date of publication.

objecthood - University of Chicago

    https://csmt.uchicago.edu/glossary2004/objecthood.htm
    Unlike art, the gestalt of objecthood necessitates that the only meaningful relationship is between the thing and the surrounding space. The viewer is made conscious that they are the critical factor in the situation; the objects relate to them and for them. In art Fried claims, "all meaning is in the syntax."

ART and Objecthood - Michael Fried ART THEORY

    https://theoria.art-zoo.com/art-and-objecthood-michael-fried/
    Judd, for example, seems to think of what he calls Specific Objects as something other than sculpture, while Robert Morris conceives of his own unmistakably literaiist work as resuming the lapsed tradition of Constructivist sculpture established by Tatlin, Rodchenko, Gabo, Pevsner, and Vantongerloo.

Issue #21: “Art and Objecthood” at Fifty – Nonsite.org

    https://nonsite.org/issues/issue-21-art-and-objecthood-at-fifty/
    For fifty years, Michael Fried’s “Art and Objecthood” has set the terms for the discussion of minimalism, or as he prefers to call it, literalism. More than just a commentary on a controversial set of works that challenged and largely eclipsed high modernism, “Art and Objecthood” has itself remained the subject of intense debate since it was first published in Artforum .

MICHAEL FRIED “Art and Objecthood” (1967)

    http://atc.berkeley.edu/201/readings/FriedObjcthd.pdf
    Fried, “Art and Objecthood ” 2 Constructivist sculpture established by Tatlin, Rodchenko, Gabo, Pevsner, and Vantongerloo. But this and other disagreements are less important than the views Judd and Morris hold in common. Above all they are opposed to sculpture that, like most painting, is …File Size: 43KB

Art and Objecthood - Artforum International

    https://www.artforum.com/print/196706/art-and-objecthood-36708
    Jun 01, 1967 · Minimal works are readable as art, as almost anything is today—including a door, a table, or a blank sheet of paper . . . Yet it would seem that a kind of art nearer the condition of non-art could not be envisaged or ideated at this moment. The meaning in this context of “the condition of non-art” is what I have been calling objecthood.

AFB’S TERMS OF ART #46: OBJECTHOOD AESTHETICS FOR BIRDS

    https://aestheticsforbirds.com/2020/06/01/afbs-terms-of-art-46-objecthood/
    Jun 01, 2020 · Definition: Objecthood is a term from art critic Michael Fried’s (in)famous essay “Art and Objecthood”. I’ll be honest, that essay is a fucking slog. But I’ll do my best. Fried doesn’t like twentieth century minimalist sculpture, whose high priest is Donald Judd.

Essay on "Art and Objecthood" by M. Fried Brand-New ...

    https://www.essay.tv/custom-essay-on-art-and-objecthood-by-m-fried/
    Nov 09, 2014 · November 9, 2014Posted by essay-writer in Free essays. Michael Freud is a famous expert in the field of art, known for his critical works, one of which is “Art and Objecthood”. In his work Fried speaks about minimalism, or literalist art as he calls it, …

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