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http://theoria.art-zoo.com/on-robert-rauschenberg-artist-and-his-work-john-cage/
On Robert Rauschenberg, Artist, and his Work – John Cage Beauty is now underfoot wherever we take the trouble to look. (This is an American discovery.) Is when Rauschenberg looks an idea?
https://www.phaidon.com/agenda/art/articles/2015/march/02/when-john-cage-met-robert-rauschenberg/
Mar 02, 2015 · Robert Rauscenberg, self portrait of the artist with his work In Black Mountain’s liberal campus during the balmier months of 1952, Cage looked to Rauschenberg’s canvases to inform his ideas about how art should engage with the intrusions of the natural world.
http://www.ayearfrommonday.com/2012/01/on-robert-rauschenberg-artist-and-his.html
The example of Rauschenberg’s White Paintings (1951) is perhaps one of the most direct visual metaphors for this idea, and Cage regularly returned to it to explain the relationship between nature and environment, thinking and existing, space and time, and any of the other binaries we can extrapolate from the coexistence of opposites ideal set forth in the opening pages of the Book of Changes.
https://www.artsy.net/artwork/robert-rauschenberg-cage
By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the …Brand: Robert Rauschenberg
https://www.artsy.net/artwork/robert-rauschenberg-hommage-a-john-cage
Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires.Brand: Robert Rauschenberg
https://www.artnet.com/auctions/artists/robert-rauschenberg/cage-3
After his combine painting period, which set him apart from his artist peer group, the artist's most compelling and prescient medium incorporated into his work was the photograph. This print, published by Styria Studios in its own heyday, is an homage to John Cage, the avant garde composer who Rauschenberg met at Black Mountain College.
https://www.moma.org/artists/4823
There, his mentors and collaborators included the composer John Cage, the artist Cy Twombly, and the choreographer Merce Cunningham, with whom he would collaborate on more than twenty dance compositions. Rauschenberg’s engagement with performance was enduring and a defining influence in his work.
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