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https://www.cabinetmagazine.org/issues/3/strindberg.php
On Chance in Artistic Creation August Strindberg This article was written in French in 1894 and published in Revue des Revues on November 15 of the same year.
https://www.cabinetmagazine.org/issues/3/feuk.php
In an essay from 1894 called “Chance in Artistic Creation,” he describes the methods that he employs, speaking about his wish to “imitate […] nature’s way of creating.” 1 This text is strangely prophetic, foreboding the automatic techniques of the twentieth …
https://publicdomainreview.org/collection/august-strindberg-s-celestographs-1893-4
Strindberg's approach to painting was based in a response to the materiality of the paint, letting forms emerge from his interaction with it. This is what he called “chance in artistic creation”, as expressed in his so-titled 1894 essay. This description of modernist painting seems it …
https://www.metafilter.com/181099/like-the-nucleus-of-a-cell-it-grows-the-colors-are-clustered-around-it
May 25, 2019 · On Chance in Artistic Creation - an 1894 essay by August Strindberg paired with paintings by Strindberg. There's a fair number of minor typos or OCR errors in the above text, so here's another transcription , but without the paintings.
https://artsandculture.google.com/asset/the-town/jQGcq6WjYPruJg
His artistic method was one of spontaneous association, and he allowed one idea to lead to another in a kind of dialogue with his work, which he described in his remarkable essay on art theory...Author: August Strindberg
https://www.tate.org.uk/press/press-releases/august-strindberg
Oct 22, 2004 · Strindberg’s paintings have been compared to those of JMW Turner but also with much later artistic movements such as expressionism. In 1894 Strindberg wrote an essay entitled New directions in art! Or the role of chance in artistic creation, in which he anticipated ideas explored in Dada and Surrealist circles over twenty years later. Strindberg not only had an individual and radical …
https://www.musee-orsay.fr/en/collections/works-in-focus/painting/commentaire_id/seascape-with-reef-20046.html?cHash=10cac514ce
A person of dubious activities, and an art forger, Gretor's ambition was to make Strindberg famous as a painter in France, as the writer's paintings had already been exhibited in Stockholm in 1892. Apart from the probable influence of Turner, Strindberg here expresses a philosophy that sees the cosmos as one single force, where the elements – earth, water and fire –share the same nature.
https://en.wikipedia.org/wiki/August_Strindberg
Johan August Strindberg (/ ˈ s t r ɪ n (d) b ɜːr ɡ /, Swedish: [ˈǒːɡɵst ˈstrɪ̂nːdbærj] (); 22 January 1849 – 14 May 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg's career spanned four decades, during which time he wrote more than sixty plays and more than thirty works of ...
https://www.newsound.org.rs/pdf/en/ns50/19.A.Siopsi.pdf
one’s sonic environment – the idea is also indicated by the title given by the art-ist himself, Der Schrei der Natur. Munch’s friend and important playwright and novelist August Strindberg (1849–1912),3 characteristically describes the painting in a prose-poem written on some of Munch’s pictures for the Revue Blanche, as follows:
http://artandperception.com/2007/06/chance-in-art.html
I strongly believe that there are elements of chance and luck in the creation of any piece of art. The percentages may vary and could be debated at length but it is there – like it or not.. The range of meanings and explorative interpretations produced by ‘chancy’ strokes of the brush while painting is larger as the composition tends to ...
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