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http://www.webexhibits.org/sciartperspective/raphaelperspective1.html
In the rest of the century following Masolino’s breakthrough, almost all Renaissance artists turned to the use of perspective to enhance their compositions, notably Masaccio, Mantegna, Fra Angelico and Leonardo. The Renaissance use of perspective reached …
https://useum.org/Renaissance/Perspective
Although before Renaissance artists such as Giotto tried to use perspective in their paintings, it was only with the Italian architect Filippo Brunelleschi, who demonstrated its principles, and the writings of Leon Battista Alberti, who wrote about the perspective and presented a perspective construction in his De Pictura in 1435, when perspective was formalized as an artistic technique.
https://www.paperdue.com/essay/art-one-point-linear-perspective-in-the-53834
Among the first modern artists to react against the single- point perspective of the Renaissance were the Post Impressionists (Op Art History Part I: A History of Perspective in Art). In the works of Cezanne we find a strong and influential reaction to formal linear perspective.
http://www.webexhibits.org/sciartperspective/perspective1.html
One of the first uses of perspective was in Giotto’s ‘Jesus Before the Caïf’ (Fig. 2A), more that 100 years before Brunelleschi’s perspectival demonstrations galvanized the widespread use of convergent perspective of the Renaissance proper.
https://www.researchgate.net/publication/233740696_The_Psychology_of_Perspective_and_Renaissance_Art
The Psychology of Perspective and Renaissance Art. January 1986; Sixteenth Century Journal 21(1) ... Leonardo seems at one point to. ... created a “difficult” work of art, one that forces you.
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