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ORLAN: A Hybrid Body of Artworks - 1st Edition - Simon ...

    https://www.routledge.com/ORLAN-A-Hybrid-Body-of-Artworks/Donger-Shepherd/p/book/9780415562348
    Jul 09, 2010 · ORLAN is a multidisciplinary artist, living and working in Los Angeles, New York, and Paris. She is a professor at the École Nationale Supérieure des Beaux-Arts in Cergy, France. She was formerly scholar in residence at the Getty Research Institute in Los Angeles. Recommended For You.

Who is Orlan?

    http://oldsite.english.ucsb.edu/faculty/ecook/courses/eng114em/whoisorlan.htm
    Orlan is a performance artist who uses her own body and the procedures of plastic surgery to make "carnal art". She is transforming her face, but her aim is not to attain a commonly held standard of beauty. Orlan is the only artist working so radically with her own …

How An Artist Had Over Nine Plastic Surgeries To Become A ...

    https://culturacolectiva.com/art/orlan-performance-artist-plastic-surgery
    May 19, 2018 · For French artist Mireille Suzanne Francette Porte, best known as Orlan, it’s not. Actually, she’s made of this procedure an essential part of her artistic purpose: to become a walking work of art. When did she decide to put her body under such procedures for art’s sake?

Orlan, Abramovic and Contemporary Arts Practice Same ...

    https://artofeu.wordpress.com/2014/05/05/contemporary-arts-practice/
    May 05, 2014 · We discuss the work of artists Orlan and Marina Abramovic. Their conceptual art practice evokes some strong reactions in the group. The screening of Marina Abramovich’s film, ‘The Artist is present’- a durational performance piece held over 3 months at MOMA, New York, in spring 2010, featured Abramović sitting in a chair for the entirety of the day at the museum.

ORLAN, beyond any conception of the body CLOT Magazine

    https://www.clotmag.com/biomedia/orlan
    ORLAN, beyond any conception of the body. There aren’t any artists that have explored matters concerning beauty and aesthetics of the body so profoundly as ORLAN has. The French performance artist does not need a lot of introduction. One of the most prominent multimedia artist since the 1960s, in the late 1980s ORLAN embarked in a project involving body modification through plastic surgery.

ORLAN (as part of The Patient at UNSW Galleries UNSW Art ...

    https://artdesign.unsw.edu.au/whats-on/news/orlan-part-patient-unsw-galleries
    22 June 2016, 11:54 AM. In 1977, the artist known as Orlan staged a work that would come to define the essence of her creative practice. Le Baiser de l’ Artiste – The Artist’s Kiss – was performed in Paris during the Foire Internationale d'Art Contemporain. Dressed in a nude body suit, with a money slot positioned between her breasts and a repository set in her crotch, spectators were invited to pay 5 …

Orlan - BODY ART AND CEREMONY

    https://bodyartandceremony1.weebly.com/orlan.html
    Orlan is associated with the postmodern frame as she presented to her audience in the period of contemporary art. She interprets her body into performance art which she is known for. Artmaking practices: Orlan’s artmaking practices consisted mainly of performance art, Corporeal Landscape and Carnal Art. Personal experiences including an ectopic pregnancy was a catalyst for the use of surgery in her art …

(PDF) Orlan and the Work of Art in the Age of Hyper ...

    https://www.academia.edu/2306880/Orlan_and_the_Work_of_Art_in_the_Age_of_Hyper_mechanical_Organic_Reproduction
    Rose argues that there are two essential criteria (intentionality and transformation) which distinguish art from non-art and that both are present in Orlan’s Carnal Art. According to this view, Orlan’s confrontational works are aesthetic actions which force us to reconsider the boundary that separates “normality” from madness, and art from non-art.5 In Orlan’s case, the operating room is her “studio” …

Orlan, Stelarc and the Art of the Virtual Body NeMe

    https://www.neme.org/texts/the-art-of-the-virtual-body
    Sep 15, 2013 · The first is the origin of the form towards which Orlan turned in her escalating alterations, namely a computer-generated synthesis of the artist’s facial features and five classical painterly representations: Diana, Psyche, Europa, Venus and Mona Lisa.

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