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Erwin Panofsky: Life, Work, and Legacy Institute for ...

    https://www.ias.edu/erwin-panofsky-life-work-and-legacy
    Born in Hannover, Germany in 1892, Panofsky matriculated at the universities of Munich and Freiburg before receiving his D.Phil. in 1914 from the University of Freiburg. Afterwards, he continued to study art history in Berlin. In 1916, he married Dora Mosse, eight years his senior. They had two sons, Hans (1917–88) and Wolfgang (1919–2007).

Erwin Panofsky - Wikipedia

    https://en.wikipedia.org/wiki/Erwin_Panofsky
    Erwin Panofsky (March 30, 1892 in Hannover – March 14, 1968 in Princeton, New Jersey) was a German-Jewish art historian, whose academic career was …Born: March 30, 1892, Hannover

Erwin Panofsky German-American art historian Britannica

    https://www.britannica.com/biography/Erwin-Panofsky
    Panofsky studied at the University of Freiburg in Breisgau and was a professor at the University of Hamburg from 1926 to 1933. He first went to the United States in 1931 as visiting professor at New York University in New York City, and in 1935 he became professor of art history at the Institute for Advanced Study in Princeton, New Jersey.

Panofsky, Erwin Dictionary of Art Historians

    https://arthistorians.info/panofskye
    Panofsky was the son of Arnold Panofsky (d. 1914) and Caecilie Solling (Panofsky), wealthy Jews whose fortune came from Silesian mining. He was raised in Berlin, receiving his Abitur in 1910 at the Joachimsthalsche Gymnasium.

Erwin Panofsky and Iconography, Part Three Art History ...

    https://arthistoryunstuffed.com/erwin-panofsky-and-iconography/
    May 24, 2013 · Panofsky was the student of Aby Warburg who was fascinated with the recurrence of persistent motifs in art and literature, stretching from ancient times to the Renaissance.

Les structures cliniques et la sublimation

    https://www.researchgate.net/publication/262020277_Les_structures_cliniques_et_la_sublimation
    Panofsky E. Artiste, Savant, Génie. Notes sur la Renaissance-Dämmerung (1952). In: L'oeuvre d'art et ses significa-tions. Essais sur les arts visuels. Paris: Gallimard; 1969.

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