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https://en.wikipedia.org/wiki/Patrick_Caulfield
Still Life with Dagger, 1963, Tate Gallery Patrick Joseph Caulfield, CBE, RA (29 January 1936 – 29 September 2005), was an English painter and printmaker known for his bold canvases, which often incorporated elements of photorealism within a pared-down scene. Examples of his work are Pottery and Still Life Ingredients.Education: Chelsea School of Art, 1956–1959, Royal …
https://www.the-artists.org/patrick-caulfield/
Biography and art, auction, artworks, interview, statement, website: patrick caulfield. Freud's Smoke. patrick caulfield Biography and works. bio and works Patrick Caulfield was born in London, but brought up in Bolton in Lancashire until after World War II when the family moved back to London.
https://www.galerie-boisseree.com/en/artists/patrick-caulfield.html
Patrick Caulfield (London 1936–2005 London) is one of those painters who were particularly reluctant to use the term Pop Art in connection with their work. Yet despite his resistance to any categorisation, his themes, motifs and pictorial methods resulted in permanently valid icons of British Pop Art. Formal considerations were Caulfield’s primary concern.
https://httpdebraleetaylorcom.myblog.arts.ac.uk/554-2/
This major exhibition of Patrick Caulfield’s work traced the development of the artist’s distinct style over a thirty-year period. His work illustrates the extent of his technical capabilities alongside conceptual take on his subject matter.
https://www.exampleessays.com/viewpaper/24820.html
This shows similarities with the artist Edward Hopper, whom Caulfield greatly admired, as the lack of human influence creates loneliness and bleakness to the British way of life. Therefore, the painting is making a statement that is both social and political.
http://www.tate.org.uk/file/patrick-caulfield-teachers-pack
Patrick Caulfield: Educator’s Pack The display at Tate Liverpool brings together key paintings and a selection of screenprints from the Tate Collection by British artist Patrick Caulfield who died last year. Caulfield found inspiration in everyday life, in capturing a moment in …
https://www.artsy.net/artwork/patrick-caulfield-some-poems-of-jules-laforgue-6
Caulfield emerged in the 1960s amid the rise of British pop artists. Early in the decade, he became interested in the flattened, authorless quality of commercial sign painting, which he adopted in his own work by eliminating any traces of brushwork.
https://www.invaluable.com/artist/caulfield-patrick-kb8lnlx0z5/sold-at-auction-prices/
Description: PATRICK CAULFIELD, R.A. (1936-2005) Ridged Jar signed and inscribed Patrick Caulfield AP (lower right) screenprint, unframed sheet: 83.8 x 59.5 cm (33 x 23 1/2 in) Published in an edition of 40 plus 10 Artist's Proofs. LITERATURE: M. Gooding, Patrick Caulfield: The Complete Prints 1964-1999 , London, 1999, no. 58, p. 91
https://www.christies.com/en/lot/lot-6022705
By choosing such an iconic image of modern art as the basis for his print, Caulfield has subverted the reverence with which the original work is usually viewed, translating Les Demoiselles d’Avignon into a depersonalised medium, one which can be multiplied and reproduced endlessly. In so doing, Caulfield undermined the dramatic stylistic innovations for which the original is best known – gone are the …
http://artsattrinity.weebly.com/folio--practical.html
2. T he practitioner’s statement A practitioner’s statement for art practical work should include: · A description of starting points and influences · A n explanation of the intended meaning or message of the practical work(s) · E valuation of his or her own practical work(s).
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