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https://www.academia.edu/6437579/The_Relationship_Between_Patrons_and_Artists_in_the_Renaissance_Italy
Patrons ad artists As mentioned in the beginning, Renaissance was characterised by the rise of materialism and a growing market for consumer goods. A large part of wealth in the urban centres had been spent in durable goods with artistic content and in buildings such as palaces, villas, private chapels and churches (Goldthwaite, 1993).
http://www.antiquesage.com/history-future-artist-patron-relationship/
The Medici, a dynasty of wealthy bankers who dominated Florentine politics during the late Renaissance, perhaps best exemplifies the typical artist-patron relationship of the time. Immensely rich and powerful, the Medici family sponsored famed artists such as the legendary Botticelli and Michelangelo.
https://smarthistory.org/overview/courses/patrons-in-the-renaissance/
Giovanni Rucellai, a major patron of art and architecture in fifteenth-century Florence, paid Leon Battista Alberti to construct the Palazzo Rucellai and the façade of Santa Maria Novella, both high–profile and extremely costly undertakings.
https://study.com/academy/lesson/patrons-of-renaissance-art-roles-influence-famous-works.html
Jun 28, 2015 · Renaissance art is full of works that only exist because of powerful patrons. Most famous of all of these was Cosimo de' Medici, head of the Medici banking family and de facto ruler of Florence.
https://smarthistory.org/types-of-renaissance-patronage/
While today we often focus on the artist who made an artwork, in the renaissance it was the patron—the person or group of people paying for the image—who was considered the primary force behind a work’s creation. We often forget that for most of history artists did not simply create art for art’s sake.
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