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https://www.britannica.com/art/patronage-art
The patronage given by the popes to notable artists—e.g., Francia and Benvenuto Cellini—resulted in a fine and often lavish standard of design in their coins and medals. Similar patronage was shown by the noble houses of Ferrara, Mantua, Milan, and elsewhere, whose coinages from the 15th… Read More; East Asian performing arts
https://courses.lumenlearning.com/arthistory1-91/chapter/patronage-and-the-status-of-the-artist/
For artists in the period before the modern era (before about 1800 or so), life was really different for artists than it is now. In the Middle Ages and in the Renaissance works of art were commissioned, that is they were ordered by a patron (the person paying for the work of art), and then made to order. A patron usually entered into a contract with an artist that specified how much he would be paid, what kinds of …
https://blog.artweb.com/art-and-culture/art-patrons/
Mar 05, 2021 · From the Middle Ages, the arts have been upheld by a system of patronage. Much like today, artists entered into contracts with patrons which specified a fee for the artist’s work, time, and materials. However, rich individuals and institutions often extended this patronage to provide ongoing financial support and backing. Despite the changing ...
https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/art-and-patronage/
Medici patronage was responsible for the majority of Florentine art during their reign, as artists generally only made their works when they received commissions in advance. Although none of the Medici themselves were scientists, the family is well known to have been the patrons of the famous Galileo Galilei, who tutored multiple generations of Medici children.
https://www.nga.gov/features/slideshows/patrons-and-artists-in-late-15th-century-florence.html
Patrons and Artists in Late 15th-Century Florence. Overview. In the late fifteenth century, Florence had more woodcarvers than butchers, suggesting that art, even more than meat, was a necessity of life. This was true not only for the wealthy, but also for those of more modest means. In 1472, the city boasted 54 workshops for marble and stone; it employed 44 master gold- and silversmiths, and at least thirty …
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