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Pepe Espaliú - Visual AIDS Visual AIDS utilizes art to ...

    https://visualaids.org/artists/pepe-espaliu
    Pepe Espaliú is one of the leading Spanish artists of the 1980's. Painter, sculptor, illustrator and writer, he develops a coherent and meaningful work very closely associated to his reflections on his own identity. His work is thanks to one of the most profound conceptualisations of living with AIDS, which caused his death and which he boldly accepted on an artistic level and where he produced some of his most …

Pepe Espaliú 1955–1993 Tate

    https://www.tate.org.uk/art/artists/pepe-espaliu-4831
    Artist page for Pepe Espaliú (1955–1993) Pepe Espaliú 1955–1993

Exposición - Pepe Espaliú - Espaliú, Pepe

    https://www.museoreinasofia.es/en/exhibitions/pepe-espaliu-0
    Jan 14, 2003 · Pepe Espaliú (Cordoba, 1955 - Madrid, 1993) is one of the leading artists of the Spanish generation of the Eighties. Painter, sculptor, illustrator and writer, he develops a coherent and meaningful work very closely associated to his reflections on his own identity.

Pepe Espaliu Artnet

    http://www.artnet.com/artists/pepe-espaliu/
    View Pepe Espaliu’s artworks on artnet. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices.Nationality: Spanish

‘Untitled’, Pepe Espaliú, 1988 Tate

    https://www.tate.org.uk/art/artworks/espaliu-untitled-t07916
    Espaliú stated, ‘Concealment is necessary in order to attract, for attraction is based on emptiness’ (quoted in Stuart Morgan, ‘Pepe Espaliú’, Rites of Passage, p.89). The masks were gradually transformed in Espaliú’s work into tortoise shells, which became a recurring motif in the artist’s later sculpture and drawings.Estimated Reading Time: 3 mins

Pepe Espaliu - the-artists.org

    https://www.the-artists.org/Pepe-Espaliu/
    The artist Pepe Espaliu Born 1955, Cordoba, Spain. Died 1993, Cordoba, . Style and technique of the artist: Sculpture Objects, Performance Art, Photography, Drawing, Pepe Espaliuartworks on eBay Original artworks, prints, exhibition posters, monographs, books, collectibles.

Exposición - Pepe Espaliú - Espaliú, Pepe

    https://www.museoreinasofia.es/en/exhibitions/pepe-espaliu
    Beyond a committed art, Espaliú’s work shows, in the words of art critic Manel Clot, a "progressive trend that radically dilutes margins and borders between two activities - the artistic and the existential -" in such a way that it is in the existential (and in particular in his experience of AIDS) where we find the keys to access the fundamental means to a work where the very artist could not differentiate between art …

Pepe Espaliù and the Italian context Wall Street ...

    https://wsimag.com/art/55409-pepe-espaliu-and-the-italian-context
    Jun 30, 2019 · It is an extract from Pepe Espaliù’s article published in El Paìs, a Spanish newspaper, on December 1, 1992, 11 months before the artist died after a tough fight against AIDS. Espaliù is one of the most important contemporary Spanish artists, famous above all for having at the center of his artistic practice the reflections on his own identity.Estimated Reading Time: 4 mins

Prices and estimates of works Pepe Espaliu

    http://www.arcadja.com/auctions/en/espaliu_pepe/artist/16719/
    PEPE ESPALIÚ Cordoba 1955-1993 Untitled (diptych). 1989 Charcoal and pastel painting on brown paper in artist's framework Signed and dated 1989 on the reverse Size: 56 x 71 cm (each piece) Origin: (label on the reverse) - The Spanish Machine Gallery, Seville - Particular collection Exhibitions: - 1989 (March 4-April 17), "Pepe Espaliú", Galerie Win van Krimpen, Amsterdan - 1989, "16 Spanish artists", Forum Stadtpark Granz, Austria - 1994 (March 4-April 17), "Pepe Espaliú", …

Pepe Espaliú, the persecuted sky - Teller Report

    https://www.tellerreport.com/life/2020-01-08---pepe-espali%C3%BA--the-persecuted-sky-.BySfidd7xL.html
    The performance Carrying (1992) of Pepe Espaliú (artistic name of José González Espaliú -Córdoba, October 26, 1955-) rescued the hidden body, placed it in the center of the polis, turned into the scene of a passion, in its etymological and transcendent sense; because that had the profile of a walking Pieta, detonating the astonishment of being in the middle of the street with the nomadic and living sculpture …

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