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Phil Monk - Artist Artist

    https://phil-monk-artist.com/
    Phil Monk is one of the most exciting artists working in the UK today. He works across a range of mediums including drawing, sculpture, photography and painting and creates bold and innovative work that consistently make an impact.

READING PHILIP MONK

    http://www.philipmonk.com/
    Even being a director of an art gallery I saw as a writer’s project. So this website is a history of my publishing, though some unpublished texts and other documents appear. I published my first article in 1977 in the Montreal art magazine Parachute after I had decided not to continue studies in art history but instead to follow my teenage ...

Philip Monk – Canadian Art

    https://canadianart.ca/author/philip-monk/
    Oct 10, 2019 · Philip Monk is a Toronto writer. From 2003 to 2017, he was the director of the Art Gallery of York University (AGYU), and previously curator at The Power Plant and the Art Gallery of Ontario. His latest book, co-written with Emelie Chhangur, is Migrating the Margins: Circumlocating the Future of Toronto Art (AGYU, 2019).

Language and Representation (1982) — READING PHILIP MONK

    http://www.philipmonk.com/language-and-representation-1
    “Language and Representation was Philip Monk’s first curated exhibition in an artist-run space. In a few years his name would become representative of a new tendency in the artist-run spaces towards a highly rigorous, theoretical and language-based approach to curating exhibitions.”

Artists Review (1978-1979) — READING PHILIP MONK

    http://www.philipmonk.com/artists-review-1978-1979
    Rodrigo Matheus in Conversation with Philip Monk (2016/2018) Intrapsychic Secrets (2017) Crash 'n' Burn (2017) Is Toronto Burning (2016) Was Toronto Burning? (2016) That’s the Way to Do It!: The Fairy Tale Life of Ydessa Hendeles (2017) Nonsense! She Said (2017) Toronto the Good, in Two Histories (2016) Paradigmatic Selves / Paradigmatic ...

Carmen Lamanna Gallery — READING PHILIP MONK

    http://www.philipmonk.com/carmen-lamanna-gallery
    His gallery was a performance. For Leo Castelli, for instance, it was not. One of Lamanna’s former artists claimed, “The gallery is his alter ego; it goes beyond the bounds of business,’’[Freedman, 1977]. By “performance,” I do not mean the egocentricity implied by this statement from his former artist, which is suggested as a problem.

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