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On Rothko (1998) – Philip Taaffe Official Web Site

    http://philiptaaffe.info/statements-interviews-2/on-rothko/
    Philip Taaffe on Mark Rothko The Whitney Museum of American Art, 1998 I have slides that I will show but I wanted to say a few things in advance of that. I have been on panels before, and usually the panels have been with other artists discussing a theme or topic on contemporary culture.

Philip Taaffe: Celebrations

    http://www.philiptaaffe.info/Critical_Commentary/TaaffeLipsey.php
    Taaffe's art seems a naturally loving response to the beauty and authority of life itself and the transformative powers of the imagination. In the language of William Blake and of Nietzsche after him, this art is prolific not devouring, overflowing not mean and self-preoccupied.

Philip Taaffe - Wikipedia

    https://en.wikipedia.org/wiki/Philip_Taaffe
    Biography. Taaffe was born in Elizabeth, New Jersey and studied at the Cooper Union in New York, gaining a Bachelor of Fine Arts in 1977.. Career. An admirer of Matisse's cut-outs and of Synthetic Cubism, from the mid-1980s he began to borrow images and designs directly from more recent artists.In We Are Not Afraid (1985), he develops Barnett Newman’s zip motif into a spiral; the title is a ...Estimated Reading Time: 2 mins

Philip Taaffe: Romancing the Figure

    http://www.philiptaaffe.info/Critical_Commentary/LisaLiebmann.php
    A painting such as Taaffe's Red Flower Columns (1998), with its integrated “facade” of ornamental red shapes resembling stone masonry, indeed suggests nothing less than a contemporary interpretation of Sullivan's holistic teachings, as expressed in “Ornament in Architecture” (1892).

Philip Taaffe Untitled (2002) Artsy

    https://www.artsy.net/artwork/philip-taaffe-untitled-17
    Known for its elaborate sampling of methods (a single work may use collage, monotype, relief printing, marbling, gilding, silk-screening, and the gestures of Action painting), Taaffe's art is founded on his belief that painting should be a synthesis of visual forces rather than the ruptures sought by modernism.Brand: Philip Taaffe

Philip Taaffe, Symbolist and Naturalist

    https://hyperallergic.com/532474/philip-taaffe-at-luhring-augustine/
    Dec 14, 2019 · Philip Taaffe, Symbolist and Naturalist. Taaffe is able to bring the exterior, visible world as well as the interior imagined world into his paintings. To me, this is what distinguishes him from ...

Philip Taaffe (b. 1955)

    https://www.christies.com/en/lot/lot-4907201
    Philip Taaffe's art draws from numerous decades and art movements, most notably the 1970s Pattern and Decoration and the 1980s practices of appropriation and juxtaposition. Always involving an element of collage, Taaffe manipulates shape, color, and pattern to materialize an aspect of the abstract sublime.

Artist Philip Taaffe's Large-Scale Works Take Center Stage ...

    https://www.architecturaldigest.com/story/philip-taaffe-paintings
    At a time when many artists seem to be competing to make ever-larger works, it’s hardly surprising that painter Philip Taaffe has just created some of the most expansive canvases of his...

Philip Taaffe Paintings & Artwork for Sale Philip Taaffe ...

    https://www.invaluable.com/artist/taaffe-philip-iti3bnerkm/sold-at-auction-prices/
    Description: Artist Name: Taaffe, Philip Title: Lincoln Center Medium: Serigraph Edition Size: 108 Year: 1999 Paper Size: 35.75 x 37 inches Image Size: 35.75 x 37 inches Condition: A: Mint Notes: This is a limited edition print by Philip Taaffe created in 1999 for the benefit of The Lincoln Center Print & Sculpture collection. The serigraph is ...

Charles Stein (2014) – Philip Taaffe Official Web Site

    https://philiptaaffe.info/statements-interviews-2/charles-stein-2014/
    Taaffe: I like the concept of the imaginary garden, which I’ve addressed in a number of paintings. I have one painting called “Imaginary Garden with Seed Clusters” (2013), a very matter-of-fact title.

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