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Pieta by Michelangelo

    http://www.michelangelo.net/pieta/
    The pyramidal geometrical composition used for the Pieta was also favoured by other Renaissance artists of the period like Leonardo da Vinci. Immediately evident is the fact that the two figures are disproportionate in size to each other.

Pietà by Michelangelo - Facts & History of the Artwork

    https://totallyhistory.com/pieta/
    Pietà The Pietà is regarded as one of the greatest works of the Renaissance artist Michelangelo Buonarroti. This impressive sculpture is currently placed in Vatican City, at St. Peter’s Basilica. The Pietà is among the initial works of art of the similar theme made by the artist.

Pietà iconography Britannica

    https://www.britannica.com/topic/Pieta-iconography
    Pietà, as a theme in Christian art, depiction of the Virgin Mary supporting the body of the dead Christ. Some representations of the Pietà include John the Apostle, Mary Magdalene, and sometimes other figures on either side of the Virgin, but the great majority show only Mary and her Son. The Pietà

Pieta artble.com

    https://www.artble.com/artists/michelangelo/sculpture/pieta
    The Pieta was created by Michelangelo in 1498 and it was requested by a French Cardinal to decorate his tomb. During this time the Pieta was a Gothic piece that was primarily famous in France and Germany, but not Italy. Nonetheless, Michelangelo accepted the commission and made his first trip to Cararra to find the best quality marble.

Röttgen Pietà (article) Khan Academy

    https://www.khanacademy.org/humanities/ap-art-history/early-europe-and-colonial-americas/medieval-europe-islamic-world/a/rottgen-pieta
    Röttgen Pietà, c. 1300-25, painted wood, 34 1/2 inches high (Rheinisches Landesmuseum, Bonn) (photo: Ralf Heinz, with permission)

Röttgen Pietà – Smarthistory

    https://smarthistory.org/roettgen-pieta/
    Röttgen Pietà, c. 1300-25, painted wood, 34 1/2″ high (LVR-LandesMuseum Bonn) (photo: Ralf Heinz, with permission) Earlier medieval representations of Christ focused on his divinity (left). In these works of art, Christ is on the cross, but never suffers.

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