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https://www.jstor.org/stable/25608810
Pliny the Elder and the identity of Roman art FRANCESCO DEANGEUS Worldwide geopolitical developments of recent decades have not left the artistic field unaffected. Artists, art critics, and art historians have responded in many different ways to the challenges raised by the phenomena conventionally summarized by the term "globalization."1
https://referenceworks.brillonline.com/entries/encyclopaedia-of-the-neo-latin-world/pliny-on-art-B9789004271029_0104
Pliny (on Art) (1,709 words) ¶ Pliny the Elder’s Naturalis historia , a Roman encyclopaedic text of the first century bce , was the most important reference on the subject of natural history during the Middle Ages and the Renaissance.
http://www.perseus.tufts.edu/hopper/text?doc=Perseus:abo:phi,0978,001:35:36
chap. 39.—artists who have painted in encaustics or wax, with either the cestrum or the pencil. chap. 40.—the first inventors of various kinds of painting. the greatest difficulties in the art of painting. the several varieties of painting. the first artist that painted ceilings. when arched roofs were first painted.
https://archive.org/details/cu31924031053550
Nov 16, 2009 · The metadata below describe the original scanning. Follow the "All Files: HTTP" link in the "View the book" box to the left to find XML files that contain more metadata about the original images and the derived formats (OCR results, PDF etc.).
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