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Po Po - Yavuz Gallery

    https://yavuzgallery.com/artists/po-po/
    A visionary artist who brought something truly new in concept and execution to an isolated country’s latent art scene in the 1980s, acclaimed Myanmar artist Po Po (b. 1957) has gone from painting to assemblage, from monotype to installation, and from design to architecture, often challenging audiences to see ideas through five senses, willing a concept out of shape.

Po Po: Out Of Institution COBO Social

    https://www.cobosocial.com/dossiers/po-po-out-of-institution/
    Po Po is a visionary artist who brought something truly new in concept and execution to an isolated country’s latent art scene in the 1980s, acclaimed Myanmar artist Po Po (b. 1957) has gone from painting to assemblage, from monotype to installation, and from design to architecture, often challenging audiences to see ideas through five senses, willing a concept out of shape.

What to Make of Po Po? - ArtReview

    https://artreview.com/what-to-make-of-po-po/
    Born in 1957 in Pathein, a rice-producing region in Southwest Myanmar, Po Po had a talent for drawing at a young age. The sum of his formal art education, however, was in attending summer art classes run by the Ministry of Education in high school, where he learned about perspective and composition.

Veteran artist Po Po on Buddhism, narcissism and the ...

    https://artradarjournal.com/2015/08/14/po-po-myanmar-art-scene-interview/
    Po Po is a visionary pioneer, widely regarded as the country’s first practitioner of performance art, who forged new ground in Myanmar’s latent art scene in the 1980s. Since then, his work has been shown at the Yokohama Triennale in Japan, the Gwangju Biennale , the Fukuoka Triennale in Japan and the Haus der Kulturen der Welt in Berlin.

PO PO - QAGOMA

    https://www.qagoma.qld.gov.au/whats-on/exhibitions/past-exhibitions/apt8/artists/po-po
    Po Po is a pioneer in the field of conceptual and performance art in Myanmar, and has been practising as an artist since the late 1970s. For his VIP Project (Yangon/Dhaka) 2010–15, he placed VIP signs in public bus stops in the cities of Yangon and Dhaka, the capital cities of Myanmar and Bangladesh, recording the politics of how public space functions under very different political conditions.

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