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Artists, Mythologies and Media — Genius, Madness and Art ...

    https://academic.oup.com/screen/article-abstract/21/3/57/1665839
    Oct 01, 1980 · Artists, Mythologies and Media — Genius, Madness and Art History Griselda Pollock. Griselda Pollock Search for other works by this author on: ... Griselda Pollock, Artists, Mythologies and Media — Genius, Madness and Art History, Screen, Volume 21, Issue 3, …Cited by: 57

GRISELDA POLLOC ARTISTS MYTHOLOGIES AND MEDIA …

    https://creativityandhumanities.files.wordpress.com/2010/02/pollock1980artistmythology.pdf
    ARTISTS MYTHOLOGIES AND MEDIA GENIUS, MADNESS AND ART HISTORY IN TH GROWINE marxisG t literatur on th histore oey f art considerable attentio hans been paid to the defaults of curren t art history: th failure e of tha t discipline which purport to provids ae history of art, t engago e with or eve, n acknowledge any, bu t the

Jackson Pollock Art, Biography & Art for Sale Sotheby’s

    https://www.sothebys.com/en/artists/jackson-pollock
    A progenitor of Action painting and a leading figure of Abstract Expressionism, Jackson Pollock has become an icon of 20th century American art. Pollock’s “drip” paintings are immediately recognizable, and his hardscrabble life has fed into an enduring mythology of the modern artist as rebel. Born 28 January 1912, in Cody, Wyoming, Pollock began his study of painting in 1928 at Manual Arts High …

Griselda Pollock (chapter 2 help) Representation in Self ...

    https://simonjohnsondissertation.blogspot.com/2013/03/griselda-pollock-chapter-2-help.html
    Article: Artists mythologies and media genius, madness and art history, in: Screen XXI/3, 1980, pp. 57–96 Crucial questions have not been posed about how art history works to exclude from its fields of discourse history, class, ideology, to produce an ideological, 'pure' space for something called 'art', p57

Griselda Pollock - Wikipedia

    https://en.wikipedia.org/wiki/Griselda_Pollock
    Griselda Frances Sinclair Pollock (born 11 March 1949) is an art historian and cultural analyst of international, postcolonial feminist studies in the visual arts and visual culture. Based in the United Kingdom, she is known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory.

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