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https://www.britannica.com/art/Pop-art
Works by such Pop artists as the Americans Roy Lichtenstein, Andy Warhol, Claes Oldenburg, Tom Wesselman, James Rosenquist, and Robert Indiana and the Britons David Hockney and Peter Blake, among others, were characterized by their portrayal of any and all aspects of popular culture that had a powerful impact on contemporary life.
https://www.theartstory.org/movement/pop-art/
Pop art started with the New York artists Andy Warhol, Roy Lichtenstein, James Rosenquist, and Claes Oldenburg, all of whom drew on popular imagery …
https://magazine.artland.com/art-movement-pop-art/
Jul 02, 2019 · New York was the main hub for American Pop Art, and the artists at the helm were Andy Warhol, Roy Lichtenstein, James Rosenquist, Jasper Johns, Ed Ruscha and Claes Oldenburg. Each of these artists drew on popular imagery and played with the commercial world of consumer goods. Most of these artists started their careers in commercial art.
https://www.the-artists.org/pop-art/
Dec 28, 2008 · Among the most famous artists that gained popularity and have introduced pop art were Andy Warhol, Tom Wesselman and Roy Lichtenstein. Their works of art have started to influence the advertising arts. These artists have created abstract pop art that has made marks in the art culture.
https://medium.com/@codingdudecom/pop-art-artists-3153d33cd2bf
Sep 14, 2020 · The pop art history begun with the early artists that shaped the pop art movement. Among these first pop art artists were Eduardo Paolozzi and Richard Hamilton in …
https://www.theartist.me/art/power-of-pop-art/
Nov 08, 2019 · Pop Art Simplified Artists, primarily from Britain and America, started creating art using the very items and mediums that pop culture had been using to manipulate the masses into complacency and mass consumerism.
https://www.thoughtco.com/pop-art-art-history-183310
Jul 24, 2019 · It was the brain-child of several young subversive artists—as most modern art tends to be. The first application of the term Pop Art occurred during discussions among artists who called themselves the Independent Group (IG), which was part of the Institute of Contemporary Art in London, begun around 1952–53.
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