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https://www.invaluable.com/blog/what-is-pop-art/
Sep 17, 2018 · Hamilton described the movement’s characteristics writing, “Pop art is: Popular (designed for a mass audience), Transient (short-term solution), Expendable (easily forgotten), Low cost, Mass produced, Young (aimed at youth), Witty, Sexy, Gimmicky, Glamorous, Big business.” After the movement burst onto the scene in the United States, it quickly spread across the …
http://historyofpopart.onmason.com/why-is-pop-art-significant-2/
Pop art is imbued with the aura of good intention within the bleak reality of capitalism. It seems to be saying that the only way through the pervasive social problems that we face is to work things out within the constraints of the capitalist economic system.
https://thewandereronline.com/the-purpose-of-pop-art-by-elliot-rose/
May 23, 2015 · The purpose of pop art was exactly that – an iconoclastic thrust to break down the invisible barriers of the bourgeois and share the rich culture of artistry with your average guy or gal. Directly contrasting the Abstract Expressionists (the industry leaders at the time) Pop Art was a reactionary movement.
https://vertufineart.com/tom-wesselmann-pop-art-and-intention/
Oct 30, 2013 · Tom Wesselmann: Pop Art and Intention. The American Pop Art movement had its share of reluctant participants. Perhaps most notorious among them is Tom Wesselmann. Mentioned alongside the biggest names in Pop – Warhol, Lichtenstein, Rosenquist and Johns − Wesselmann rejected the Pop label and any other label for that matter.
https://www.theartstory.org/movement/pop-art/
Summary of Pop Art. Pop art started with the New York artists Andy Warhol, Roy Lichtenstein, James Rosenquist, and Claes Oldenburg, all of whom drew on popular imagery and were actually part of an international phenomenon.Following the popularity of the Abstract Expressionists, Pop's reintroduction of identifiable imagery (drawn from mass media and popular culture) was a major shift for the ...
https://www.britannica.com/art/Pop-art
American Pop art tended to be emblematic, anonymous, and aggressive; English Pop, more subjective and referential, expressed a somewhat romantic view of Pop culture fostered perhaps by England’s relative distance from it. English Pop artists tended to deal with technology and popular culture primarily as themes, even metaphors; some American Pop artists actually seemed to live these …
http://www.visual-arts-cork.com/history-of-art/pop-art.htm
Thus from a very early stage, Pop-art declared its intention to reject the elitist character of traditional or high-brow art in favour of populist pictures of well-known subjects. For most people in the late 1950s and early 1960s, a trip to an art museum entailed a tedious trawl past rows of obscure paintings, most of which were neither understandable nor entertaining.
https://www.thoughtco.com/pop-art-art-history-183310
Jul 24, 2019 · Early Pop artists followed Duchamps' lead in the 1950s by returning to imagery during the height of Abstract Expressionism and purposely selecting "low-brow" popular imagery. They also incorporated or reproduced 3-dimension objects. Jasper Johns' Beer Cans (1960) and Robert Rauschenberg's Bed (1955) are two cases in point.
https://www.theartstory.org/artist/lichtenstein-roy/
In the early 1960s, Lichtenstein gained renown as a leading Pop artist for paintings sourced from comic books, specifically DC Comics. Although artists such as Robert Rauschenberg and Jasper Johns had previously integrated popular imagery into their works, no one hitherto had focused on cartoon imagery as exclusively as Lichtenstein.
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