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http://postcommodity.com/About.html
Postcommodity is an interdisciplinary arts collective comprised of Cristóbal Martínez, and Kade L. Twis t. Postcommodity’s art functions as a shared Indigenous lens and voice to engage the assaultive manifestations of the global market and its supporting …
http://postcommodity.com/
https://art21.org/artist/postcommodity/
Postcommodity is an interdisciplinary arts collective composed of Cristóbal Martínez (born in New Mexico) and Kade L. Twist (born in California). Postcommodity creates site-specific installations, interventions, videos, and sound works, utilizing the members’ shared Indigenous lens to reveal the incongruent histories embedded in our modern-day institutions, systems, and beliefs.
http://postcommodity.com/Work.html
Let Us Pray for the Water Between Us – 2020. Some Reach While Others Clap – 2020. The Point of Final Collapse – 2019. With Each Incentive – 2019.
http://www.bockleygallery.com/artist_postcommodity/index.html
Postcommodity is an interdisciplinary arts collective comprised of Cristóbal Martínez and Kade L. Twist. Postcommodity’s art functions as a shared Indigenous lens and voice to engage the assaultive manifestations of the global market and its supporting institutions, public perceptions, beliefs, and individual actions that comprise the ever-expanding, multinational, multiracial and multiethnic …
https://indigenousfutures.net/residencies/postcommodity/
POSTCOMMODITY is an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martínez, and Kade L. Twist. Their art functions as a shared Indigenous lens and voice to engage the assaultive manifestations of the global market and its supporting institutions, public perceptions, beliefs, and individual actions that comprise the ever-expanding, multinational, multiracial and multiethnic …
https://www.laxart.org/postcommodity
The interdisciplinary art collective Postcommodity functions as a shared Indigenous lens through which to examine and respond to the ongoing narrative of colonialism. It is a narrative of displacement, migration, labor, labor struggles, and gentrification. In short, it is a narrative of have and have-not that unfolds on the Southern border, the ...
https://www.artnews.com/art-in-america/features/postcommodity-art-in-america-sfai-1202676249/
Jan 27, 2020 · On January 17 at the San Francisco Institute of Art, Cristóbal Martínez of the collective Postcommodity spoke to A.i.A. ’s Brian Droitcour about The Point of …
http://www.postcommodity.com/Repellent_Fence_English.html
Tweets by @Postcommodity Critiquing the oversimplified border rhetoric of mass media and bi-partisan politics, Repellent Fence and its corresponding events include the participation of borderlands stakeholders, across diversity and interests, in generative conversations -- as a means of broadcasting complex approximations about the complexity of movement (peoples, cultures, ideologies and ...
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