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https://www.artble.com/artists/nicolas_poussin
The following artists or ideas had the most powerful impact on Poussin; Mannerism: In his early years studying in Paris, Poussin studied Mannerist paintings by France's own Ecole de Fontainbleau and the Italian artist Giulio Romano. Although this movement was much derided during the 17th century, Poussin admired these often strange, esoteric masterpieces, and some of his early paintings from the 1620s …
http://www.nicolaspoussin.net/paintings/
Poussin's own style of painting would also change over time, moving from a warmer early style towards a later palette that was much cooler. The artist also preferred to capture classical scenes typical of the earlier Renaissance, when Baroque sculptor Gian Lorenzo Bernini and others connected to him were pursuing the Baroque approach. Intriguingly, his own artistic reputation remained much stronger than …
https://www.theartstory.org/artist/poussin-nicolas/
By the early 1630s, Poussin had rejected the expressive Mannerist style in favor of a more controlled approach to composition. Taking his lead from Classicism and Raphael over Venice and Titian, Poussin demonstrated his aspiration to use painting to communicate concepts and ideals through the fusion of different mythological and classical themes. He wanted his paintings to engage the spectator by …Nationality: French
https://www.artble.com/artists/nicolas_poussin/more_information/style_and_technique
Cooler colors: Poussin's use of color was determined by two factors: first of all, the painter was convinced that color was essential for setting the mood of a painting, and second of all, as an ardent student of optics, he was most interested in color in terms of its relationship to light. From the 1630s onward, therefore, Poussin abandoned his earlier Venetian palette in favor of much colder colors …
https://en.wikipedia.org/wiki/List_of_Nicolas_Poussin_paintings
Jul 19, 2011 · Originally used for Bacchus-Erigone, then painted over by Poussin with a Bacchus-Apollo. Much later repainting, to cover the figures' genitalia. Stockholm, Nationalmuseum: 53/135 Bacchic scene or Nymph and satyr drinking: 1626–1628: 74 x 60 cm: Copy of the Moscow painting considered to be by Poussin himself: Madrid, Prado: 45a/200Estimated Reading Time: 6 mins
https://www.metmuseum.org/toah/hd/pous/hd_pous.htm
Poussin may well have used such a stage to plan the rigorous composition of Saints Peter and John Healing the Lame Man , a painting from 1655 that shows the artist responding to the imposing and solid classicism of Raphael’s School of Athens, a fresco of 1510 for the Stanza della Segnatura (Vatican, Rome). Raphael’s masterpiece was the source for a compositional type that Poussin returned to again …
https://www.susanabbott.com/painting-notes-blog/2019/6/8/the-five-greatest-painters-ever-at-least-for-now
Jun 08, 2019 · Poussin was one of the first independent artists, painting what he wanted to for a small group of collectors who respected his skills and understanding. For me, he's the ideal of a painter who possesses intelligence, feeling, and integrity. Caravaggio (1571-1610)
https://fineartamerica.com/art/paintings/poussin
The Holy Family with Saints Elizabeth and John Painting. After Nicolas Poussin. $22. $18. More from This Artist Similar Designs. The Triumph of Silenus Painting. After Nicolas Poussin. $22. $18. More from This Artist Similar Designs. The Triumph of David Painting. Nicolas Poussin. $22. $18.
https://quizlet.com/5252253/nicolas-poussin-flash-cards/
Nicolas Poussin In his thirties when he paints this painting, his mature style, inspired by Titian and his warm colors and approach to Classical mythology.
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