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https://www.flavorwire.com/563883/the-most-provocative-artists-of-the-last-decade-sponsored
Mar 21, 2016 · Marina Abramovic is the grand dame of performance art. We’re including her here because we can’t not, but her best, most provocative work occurred a little more than a decade ago.Estimated Reading Time: 4 mins
https://www.thedailystar.net/supplements/international-womens-day-2021/news/artist-preema-goes-beyond-art-empower-2056921
14 hours ago · Nazia Andaleeb Preema is one of the most provocative and evolving artists of Bangladesh with a career spanning 25 years, influencing our …
http://www.inspirewetrust.com/en/2015/11/20/arte-e-violenza/
Art and Violence: 10 artists against violence on women . Regina José Galindo. Beginning with this artist and take the violence a bit away. In fact, to say that this artist is only occupied on the topic of women is a bit too simplistic.Estimated Reading Time: 9 mins
https://www.artsy.net/article/artsy-editorial-10-female-performance-artists-ana-mendieta-carolee-schneemann
Dec 20, 2017 · María Evelia Marmolejo. Anónimo 3, 1982. Instituto de Visión. Joining a roster of politically active Latin American artists experimenting with performance art in the 1980s, Marmolejo’s works dealt largely with environmental issues, the role of women, and the concurrent political oppression in her native Colombia.
https://www.1stdibs.com/art/drawings-watercolor-paintings/figurative-drawings-watercolors/audrey-anastasi-duality-provocative-collage-2-women-muted-colors/id-a_6859512/
For Sale on 1stDibs - Duality, provocative collage with 2 women muted colors, Charcoal, Archival Paper, Magazine Paper by Audrey Anastasi. Offered by Tabla Rasa Gallery.
https://vimeo.com/showcase/3577536?page=2
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https://events.bc.edu/event/why_do_we_think_there_have_been_no_great_women_artists_revisiting_the_archive_and_practices_of_gender_arthistory_lecture_by_paris_spies-gans
This virtual lecture by interdisciplinary scholar Dr. Paris Spies-Gans, sponsored by the Art, Art History & Film Department and the History Department at Boston College, revisits art historian Linda Nochlin’s provocative 1971 essay, “Why Have There Been No Great Women Artists?” Through new visual, textual, archaeological, and data-driven analysis, Spies-Gans reconsiders premodern women ...
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