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Pygmalion and Galatea - The Metropolitan Museum of Art

    https://www.metmuseum.org/art/collection/search/436483
    Between 1890 and 1892, Gérôme made both painted and sculpted variations on the theme of Pygmalion and Galatea, the tale recounted in Ovid’s Metamorphoses. All depict the moment when the sculpture of Galatea was brought to life by the goddess Venus, in fulfillment of Pygmalion’s wish for a wife as beautiful as the sculpture he created.

Pygmalion and Galatea - The Metropolitan Museum of Art

    https://www.metmuseum.org/art/collection/search/191292
    Pygmalion and Galatea is one of six Rodin marbles that came to The Met in 1910 through Thomas Fortune Ryan.

Pygmalion and Galatea Art UK

    https://artuk.org/discover/artworks/pygmalion-and-galatea-205034
    A naked statue of Galatea is on the tall, carved pedestal to the left, with Aphrodite hovering on a cloud in the centre, holding a large butterfly above the statue's head. Cupid follows her to the right, aiming his bow and arrow at the statue. Pygmalion, King of Cyprus, stands to the right, gazing up at the statue, his hands raised in amazement.

Women Artists: Pygmalion and Galatea · Yale University ...

    https://onlineexhibits.library.yale.edu/s/artfulnature/page/womenartists
    Women Artists: Pygmalion and Galatea Women artists used neoclassical dress to analogize themselves to living sculptures, borrowing sculptural tropes as they posed and displayed their bodies on stages and in studios.

Pygmalion And Galatea: A Myth About Creation And Love

    https://www.thecollector.com/pygmalion-and-galatea-myth/
    Jan 17, 2021 · The story of Pygmalion and Galatea is one of the most popular classical myths ever told. In the myth, Pygmalion, a Cypriot sculptor, falls in love with his statue, Galatea. In the end, Aphrodite, the goddess of love, fulfills his wish and makes the statue real.

Pygmalion and Galatea 27.387 The Walters Art Museum

    https://art.thewalters.org/detail/17579/pygmalion-and-galatea/
    Pygmalion and Galatea Description Conservation Exhibitions Provenance Credit This statue is very likely the one exhibited by the artist at the Salon of 1763. The subject is taken from the Roman poet Ovid's tale of Pygmalion.

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