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Muse 121 Chapter 15-19 Flashcards Quizlet

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    The quality most prized by romantic artists was. Flexibility of rhythm and tempo. Ruboto? Romantic Melodies have more regular phrase lengths and less interest than classical melodies. This is false. To accompany melodies. Purpose of harmony during the Romantic Period?

Style Features of Romantic Music p 230 The quality most ...

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    Style Features of Romantic Music, p. 230 The quality most prized by Romantic artists was: a. conformity to musical forms and genres set up in the Classical era. b. dislike for the Middle Ages. c. the integrity of the expression of individual feeling. d. the ability to …

MUS 121 Test #4 - STUDYBLUE

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    The quality most prized by Romantic artists was the integrity of the expression of individual feeling The musical term applied to flexibility in rhythm and tempo is

Study Music 111 Chapter 16 Flashcards Quizlet

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    The quality most prized by Romantic artists was: the integrity of the expression of individual feeling. The musical term applied to flexibility in rhythm is: rubato. Which statement is false? Romantic melodies have more regular phrase lengths than Classical melodies.

Quizam 4 Flashcards Quizlet

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    19th century audiences became more conservative and more critical of innovative composers. The quality most prized by romantic artists was. the integrity of the expression of individual feeling. Romantic treatment of tone color included. combining and blending different instrumental tone colors in …

Test 5 - Music 1100 with Alexander Pershounin at ...

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    The quality most prized by Romantic artists was: the integrity of the expression of individual feeling. Which is true of program music? It refers to some nonmusical idea, such as a poem or literary work.

Which describes the early nineteenth century concept of ...

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    The quality most prized by Romantic artists was: a. conformity to musical forms and genres set up in the Classical era. b. dislike for the Middle Ages. c. the integrity of the expression of individual feeling. d. the ability to cross over into artistic areas other then one’s own. 16.

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