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https://sa-cinn.com/ray-baptiste-artcards-prints/
Ray Baptiste was born an Ojibway in Berens River, Manitoba, a northern reserve, and now resides in Vancouver, BC. He grew up in Winnipeg, Manitoba, and was educated at Kildonan East Regional in Winnipeg, where he began studying and practicing art. Ray …
https://www.native-art-in-canada.com/raybaptiste.html
Ray Baptiste - "Blue Heron" Ray Baptiste began sketching in the back of books as a child, and sold his first painting to a neighbour at age fifteen. Art remained a hobby for the young artist until a young woman took the twenty-something Baptiste to meet her father, artist Eddy Cobiness.
https://www.pinterest.com/lindanixonmerri/ray-baptiste/
Native Artist Ray Baptiste. Ray Baptiste is a native artist mentored by Indian Group of Seven artist Eddy Cobiness.37 pins
https://www.pinterest.com/pin/135600638765198679/
Feb 07, 2018 · Ray Baptiste. Saved by Karissa Davison. 209. Bear Art American Art Native Art Southwestern Art Art Painting Animal Art Southwest Art Woodland Art Spirited Art.
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Ray Baptiste Ojibway - artwork prices, pictures and values. Art market estimated value about Ray Baptiste Ojibway works of art. Email alerts for new artworks on sale. Cookies help Arcadja providing its services: browsing the portal you accept their use.
http://www.jeanbaptistesimeonchardin.com/ray/
The Ray, from 1728, is perhaps the Louvre's finest example of the technical ability of Chardin. He was arguably the true master of still life painting.
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https://www.theartstory.org/artist/chardin-jean-baptiste-simeon/artworks/
The Ray. Considered by many as his first masterpiece, The Ray, presented together with a later work, The Buffet (1728), earned Chardin his place at the Académie. As a bold declaration of both his abilities as an artist and of the expressive capacities of still life painting for which Chardin came to be renowned, this painting was intended to dazzle and shock.
https://www.louvre.fr/en/oeuvre-notices/ray
The skinned ray, evocative of Rembrandt’s Slaughtered Ox, with the odd assortment of objects arranged around it, was a source of astonishment to all painters — even as far as Matisse — for the riveting power of the animal’s vacant and ghostly gaze. The realism of the different elements of this false still life has forever served as a model to artists.
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