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http://ro.uow.edu.au/cgi/viewcontent.cgi?article=1935&context=alr
artist in the Romantic period is viewed as an example of his interdisciplinary interests which challenge the highly specialized and educationally crippling nature of most of Australian academic life, particularly its English Departments.
https://www.skv.lt/av0chs19/raymond-williams-romantic-artist-from-culture-and-society-pdf-6fced0
Emphasis on creative imagination was also an alternative construction of human motive and energy to the assumptions of the prevailing political economy. Ruskin's social criticisms arose from his thinking about the purpose of art: in his criticisms of art, his standard was always “Typical Beauty,” the absolute evidence of “the universal grand design”; in his social criticism, his ...
https://www.jstor.org/stable/10.5749/culturalcritique.83.2013.0108
ROMANTICISM, CULTURE, COLLABORATION RAYMOND WILLIAMS BEYOND THE AVANT-GARDE Jason M. Baskin When the most basic concepts—the concepts, it is said, from which we begin—are suddenly seen to be not concepts but problems, not analytic problems either but historical movements that are still unresolved, there is no sense in listening to their
https://strongreading.blogspot.com/2012/01/raymond-williams-culture-and-society.html
Jan 03, 2012 · Raymond Williams, Culture and Society Introduction. In the nineteenth century, a number of words in English acquired new meanings. ... though doubtless a product of the Romantic movement. For these artists, however, poetry and political commentary were inseparable. At this time of political, social, and economic change, there was also radical ...
https://canterburysociology.wordpress.com/2014/05/12/the-trips-romanticism-impressions-the-artistic-value-of-imitation-and-celebrity-symbols/
May 12, 2014 · In his essay ‘The Romantic Artist’, Raymond Williams (1961:46ff) offers an explanation and account of what the idea of the ‘poet’, ‘artists’ or creator of works of art, become in the eighteenth century. The poet was a creator of disinterested works of purely aesthetic merit, not a social or political commentator and not a dependent ...
https://literariness.org/2016/04/13/raymond-williams-as-a-marxist-literary-theorist/
Apr 13, 2016 · Raymond Williams (1921-1988) is the most influential Marxist critics of the twentieth century, and one of the leading figures of the New Left.His work with the journal New Left Review and the Birmingham Centre for Contemporary Cultural Studies laid the foundation of Cultural Studies as a discipline, and his elaboration of concepts like “hegemony” and “ideology” helped later generations ...
https://www.jstor.org/stable/25600104
Raymond Williams, "The Romantic Artist," in Culture and Society (New York: Harper and Row, 1966); Eric Hobsbawm, The Age of Revolution, 1789-1848 (New York: Mentor, 1964), p. 307. 5. E. P. Thompson, The Making of the English Working Class (New York: Pantheon, 1964). 6. William Wordsworth, "Preface to Lyrical Ballads, with Pastoral and Other Poems"
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https://scholarcommons.sc.edu/cgi/viewcontent.cgi?article=1391&context=ssl
simply viewed in terms of an individualistic assertion of the artist's viewpoint. When viewed in terms of Raymond Williams' definition of the romantic artist and the social forces at work on him,2 Wordsworth's idealization of Bums as a separate and distinct entity dissolves into a …
https://archive.org/details/culturesociety17001850mbp
Raymond Williams Digitalpublicationdate 2003-12-25 00:00:00 Identifier culturesociety17001850mbp Identifier-ark ark:/13960/t6b27qf0d Numberedpages 382 Pagelayout FirstPageRight Pages 412 Scanningcenter RMSC-IIITH. plus-circle Add Review. comment. Reviews
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