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Ready Made Art - the-artists.org

    https://www.the-artists.org/ready-made-art/
    Found Art, Ready Made Art, Objet Trouvé Readymade is the term used by the French artist Marcel Duchamp to describe works of art he made from manufactured objects. His earliest readymades included Bicycle Wheel of 1913, a wheel mounted on a wooden stool.

Ready-made style of art Britannica

    https://www.britannica.com/art/ready-made
    Duchamp created the first ready-made, Bicycle Wheel (1913), which consisted of a wheel mounted on a stool, as a protest against the excessive importance attached to works of art. This work was technically a “ready-made assisted,” because the artist intervened by combining two objects.

Readymade – Art Term Tate

    https://www.tate.org.uk/art/art-terms/r/readymade
    The term readymade was first used by French artist Marcel Duchamp to describe the works of art he made from manufactured objects. It has since often been applied more generally to artworks by other artists made in this way

Readymade MoMA

    https://www.moma.org/collection/terms/88
    Readymade A term coined by Marcel Duchamp in 1916 to describe prefabricated, often mass-produced objects isolated from their intended use and elevated to the status of art by the artist choosing and designating them as such.

MoMA Marcel Duchamp and the Readymade

    https://www.moma.org/learn/moma_learning/themes/dada/marcel-duchamp-and-the-readymade/
    Art that emerged in the late 1960s, emphasizing ideas and theoretical practices rather than the creation of visual forms. In 1967, the artist Sol LeWitt gave the new genre its name in his essay “Paragraphs on Conceptual Art,” in which he wrote, “The idea itself, even if not made visual, is as much a work of art as any finished product.” .” Conceptual artists used their work to ...

The Readymade - Modern Art Terms and Concepts TheArtStory

    https://www.theartstory.org/definition/readymade-and-found-object/
    Summary of Readymade and The Found Object. Post-World War I culture was suffering a deep malaise with many artists disenfranchised with a society that could participate in such atrocities - and so, artists sought to break out of traditional or historical modes of creating art, they searched for new ways to innovate by delving into every aspect of their culture and compelling new thought.

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