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red-figure pottery Definition, History, & Facts Britannica

    https://www.britannica.com/art/red-figure-pottery
    Red-figure pottery, type of Greek pottery that flourished from the late 6th to the late 4th century bce.During this period most of the more important vases were painted in this style or in the earlier, black-figure style. In the latter, figures were painted in glossy black pigment in silhouette on the orange-red surface of the vase; details were added largely by incising.

Red-Figure Pottery in Greek Art - ThoughtCo

    https://www.thoughtco.com/red-figure-pottery-in-greek-art-118672
    Oct 15, 2018 · Pottery painters in Greek-colonized southern Italy followed the red-figure Attic pottery model and expanded on it, beginning in the mid-fifth century B.C. The "Eumenides Painter" was so named because of his topic, the Oresteia. This is a photo of a red-figure bell krater (380-370), showing Clytemnestra trying to awaken the Erinyes.

Red-Figure Pottery Keyword Heilbrunn Timeline of Art ...

    https://www.metmuseum.org/toah/keywords/red-figure-pottery/
    Africans in Ancient Greek Art. Ancient Greek Dress. Athenian Vase Painting: Black- and Red-Figure Techniques. The Five Wares of South Italian Vase Painting. Funerary Vases in Southern Italy and Sicily. Greek Art in the Archaic Period. Greek Hydriai (Water Jars) and Their Artistic Decoration. The Greek Key and Divine Attributes in Modern Dress

Red-figure pottery - Brown University

    https://brown.edu/Departments/Joukowsky_Institute/courses/greekpast/4815.html
    Another famous Red-figure artist is the Berlin Painter. His amphoras depict satyrs and heroes, gods and goddesses dancing and drinking wine. On one amphora, for example, Athena pours wine for Herakles (who is on the reverse side of the vase).

Ancient Greek red figure style pottery - hellenic-art.com

    https://www.hellenic-art.com/red-figure-pottery.html
    The black-figure technique was replaced by the red-figure technique around 530 BC which would endure for the next 130 years or so. The two styles were parallel for some time and there are even ‘bilingual’ examples of vases with both styles but the red-figure, with its advantage of the brush over the graver, could attempt to more realistically portray the human figure and eventually it ...

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